Carddeck_P's Def Jam RAPSTAR Top World Rankings (as of December 8, 2011)
image

"Astonishment is our natural state of mind." - Paul Harris.

"Style is what an artist uses to fascinate the beholder in order to convey to him his feelings and emotions and thoughts." - Stanley Kubrick.

"Always be yourself, express yourself, have faith in yourself, do not go out and look for a successful personality and duplicate it." - Bruce Lee.

"If ya ears hurt, you shouldn't listen. That means you artificial and my style'll poison ya brain tissue." - Black Thought

"I also believed that comics were capable of more than just making people laugh. So in my themes I incorporated tears, grief, anger, and hate, and I created stories where the ending was not always happy." - Osamu Tezuka

tezukaspanels:

The memes about Tezuka I created went viral. More than I suspected they would.
There are people who wrote that they inspired them or that they have heard about Tezuka for the first time. I’m proud I have achieved that much.
But it appears we have some neigh-sayers in the audience.
So there is a complete list of sources for each meme:
——————————————————————————
1. In 1952 Osamu Tezuka passes the national examination for medical practitioners after graduating from the medical department of Osaka University.
——————————————————————————
2.1. Walt Disney met Tezuka at 1964 World Fair in New York and they talked about the possibilities of working together. Sources: here, here and here.
2.2. Stanley Kubrick wanted Tezuka to be the art director for 2001:The Space Odyssey. Sources: here and here.
Tezuka turned down both offers.
——————————————————————————
3. Circulating manga in the elementary school. Source.
——————————————————————————
4. Just one title - “New Treasure Island” - was sold in 400 000 copies in 1947. I wrote 1946 - my mistake. But it’s correct that Tezuka was 19 at that time and obviously it was in the post-war period. Source. 
——————————————————————————
5. Drawing 10 panels each day. This is just rough statistics. This source claims he drew over 150 000 panels during his lifetime. He was 18 when “Diary of Ma-chan” was published - it was his first title to be serialized which IMHO marks the beginning of his professional career as a mangaka. He died at the age of 60. It makes 42 years of career. Let’s round it to 40.
40*365 = 14600 [days]
150000/14600 = roughly = 10 [panels/day]
——————————————————————————
6. Assistants. The info about assistants comes from the interview with Jared Cook and Frederik Schodt published in VIZ Media 2008 edition of Phoenix vol.2: Future.
Sometime between 1970 and 1972 they visited Tezuka Productions in order to get the English translation rights. Here is what Jared Cook said:

He had at that time twelve, maybe thirteen assistants. (…) Matsutani was his peronal manager (…). He would ward off the editors when they were trying to break down the door (…).

Maybe in the future (pun not intended) I will publish more from this materials.
——————————————————————————
The statements about inventing anime and manga genres are of course stretched. These are memes, not scientific study. But still, they have their bases.
7. Citation from the article about Anime on Wikipedia:

While the earliest known Japanese animation dates to 1917, and many original Japanese cartoons were produced in the ensuing decades, the characteristic anime style developed in the 1960s—notably with the work of Osamu Tezuka—and became known outside Japan in the 1980s.

——————————————————————————
8.1. Shounen - shaped by “Astro Boy”
8.2. Shoujo - shaped by “Princess Knight”
8.3. Seinen - shaped by “Black Jack”
——————————————————————————
9.1. Best-earning artist in Japan in 1961 - well, the source says he was the top-earner among painters and manga artists. But is it possible that some musician or director was earning more? Anyway, who cares, he was very wealthy and that’s it.
9.2. Doctorateeeeeeeee. Source.
——————————————————————————
10. Well, this one is very complicated.
Source says that in 1954 Tezuka “earns an annual income of 2.17 million yen, which makes him the top earner in the painter category.”
But how much money this is excatly?
Here you have a scientific study (beware!) about historical exchange rates of yen.
If I read it right, the REAL (there was official one, making the yen very weak) exchange rate of Yen/U.S. dollar in 1954 was 4,8. It means that 2.17 million yen was equal to roughly 450 000 U.S. dollars. But in 1954 the dollar had much higher buying power. It was about ten times stronger than 2010 dollar, if I read this right. It makes 4 500 000 dollars including inflation.
This may be a little too much. Maybe I’m doing something wrong here.
Anyway, in 1954 Tezuka moved to his own new apartament in Tokyo. This alone proves that he was quite wealthy.
11. Lecture in the UN HQ. Source. Of course the rest is a joke.
UPDATE
I promise this is the last post which has such a long text. After all tumblr is meant for images.

The proof is in the pudding sources. I must say that, on top of your exceptional reviews of expertly selected Tezuka panels, you are doing a great service of educating the masses on a legendary icon whose immense cultural impact many are still not familiar with (most notably in the western hemisphere where the animated works of Walt Disney are generally more prevalent). And although I am a huge Tezuka nut myself, I have also learned a thing or two (and more) from this fantastic and informative meme that you have created (congrats on its rightfully deserved viral status). Thank you kindly and keep up the incredible work!

tezukaspanels:

The memes about Tezuka I created went viral. More than I suspected they would.

There are people who wrote that they inspired them or that they have heard about Tezuka for the first time. I’m proud I have achieved that much.

But it appears we have some neigh-sayers in the audience.

So there is a complete list of sources for each meme:

——————————————————————————

1. In 1952 Osamu Tezuka passes the national examination for medical practitioners after graduating from the medical department of Osaka University.

——————————————————————————

2.1. Walt Disney met Tezuka at 1964 World Fair in New York and they talked about the possibilities of working together. Sources: here, here and here.

2.2. Stanley Kubrick wanted Tezuka to be the art director for 2001:The Space Odyssey. Sources: here and here.

Tezuka turned down both offers.

——————————————————————————

3. Circulating manga in the elementary school. Source.

——————————————————————————

4. Just one title - “New Treasure Island” - was sold in 400 000 copies in 1947. I wrote 1946 - my mistake. But it’s correct that Tezuka was 19 at that time and obviously it was in the post-war period. Source

——————————————————————————

5. Drawing 10 panels each day. This is just rough statistics. This source claims he drew over 150 000 panels during his lifetime. He was 18 when “Diary of Ma-chan” was published - it was his first title to be serialized which IMHO marks the beginning of his professional career as a mangaka. He died at the age of 60. It makes 42 years of career. Let’s round it to 40.

40*365 = 14600 [days]

150000/14600 = roughly = 10 [panels/day]

——————————————————————————

6. Assistants. The info about assistants comes from the interview with Jared Cook and Frederik Schodt published in VIZ Media 2008 edition of Phoenix vol.2: Future.

Sometime between 1970 and 1972 they visited Tezuka Productions in order to get the English translation rights. Here is what Jared Cook said:

He had at that time twelve, maybe thirteen assistants. (…) Matsutani was his peronal manager (…). He would ward off the editors when they were trying to break down the door (…).

Maybe in the future (pun not intended) I will publish more from this materials.

——————————————————————————

The statements about inventing anime and manga genres are of course stretched. These are memes, not scientific study. But still, they have their bases.

7. Citation from the article about Anime on Wikipedia:

While the earliest known Japanese animation dates to 1917, and many original Japanese cartoons were produced in the ensuing decades, the characteristic anime style developed in the 1960s—notably with the work of Osamu Tezuka—and became known outside Japan in the 1980s.

——————————————————————————

8.1. Shounen - shaped by “Astro Boy”

8.2. Shoujo - shaped by “Princess Knight”

8.3. Seinen - shaped by “Black Jack”

——————————————————————————

9.1. Best-earning artist in Japan in 1961 - well, the source says he was the top-earner among painters and manga artists. But is it possible that some musician or director was earning more? Anyway, who cares, he was very wealthy and that’s it.

9.2. Doctorateeeeeeeee. Source.

——————————————————————————

10. Well, this one is very complicated.

Source says that in 1954 Tezuka “earns an annual income of 2.17 million yen, which makes him the top earner in the painter category.”

But how much money this is excatly?

Here you have a scientific study (beware!) about historical exchange rates of yen.

If I read it right, the REAL (there was official one, making the yen very weak) exchange rate of Yen/U.S. dollar in 1954 was 4,8. It means that 2.17 million yen was equal to roughly 450 000 U.S. dollars. But in 1954 the dollar had much higher buying power. It was about ten times stronger than 2010 dollar, if I read this right. It makes 4 500 000 dollars including inflation.

This may be a little too much. Maybe I’m doing something wrong here.

Anyway, in 1954 Tezuka moved to his own new apartament in Tokyo. This alone proves that he was quite wealthy.

11. Lecture in the UN HQ. Source. Of course the rest is a joke.

UPDATE

I promise this is the last post which has such a long text. After all tumblr is meant for images.

The proof is in the pudding sources. I must say that, on top of your exceptional reviews of expertly selected Tezuka panels, you are doing a great service of educating the masses on a legendary icon whose immense cultural impact many are still not familiar with (most notably in the western hemisphere where the animated works of Walt Disney are generally more prevalent). And although I am a huge Tezuka nut myself, I have also learned a thing or two (and more) from this fantastic and informative meme that you have created (congrats on its rightfully deserved viral status). Thank you kindly and keep up the incredible work!

Potato
Best. Meme. Ever.
Kubrick (another one of my idols) indeed contacted Tezuka to join the 2001: A Space Odyssey art direction team (based on the revolutionary strength of the original 1960s Astro Boy anime), a request that the God of Manga famously declined (like a bawse!).
After 5 years on Tumblr (I was one of the first 4000 users on this service), I’ve never felt obligated to cosign another tumblelog…until now. So if you have ANY interest in manga/anime, I implore you to follow Osamu Tezuka’s Panels. They do good work (truly amazing).

Best. Meme. Ever.

Kubrick (another one of my idols) indeed contacted Tezuka to join the 2001: A Space Odyssey art direction team (based on the revolutionary strength of the original 1960s Astro Boy anime), a request that the God of Manga famously declined (like a bawse!).

After 5 years on Tumblr (I was one of the first 4000 users on this service), I’ve never felt obligated to cosign another tumblelog…until now. So if you have ANY interest in manga/anime, I implore you to follow Osamu Tezuka’s Panels. They do good work (truly amazing).

Potato
tezukaspanels:

A planet that gobbles you up.
Another fragment from Phoenix: Nostalgia. Romy and her friends are trying to reach Earth. They stumble upon a very similar planet. There is a greenery everywhere - plants, grass, trees, lakes, mountains. But no animals.
The paradise turns to hell when suddenly the scenery changes to a grey mold trying to catch them. It seems that Verdove 3 is a living and man-eater planet that can transform its surface in order to imitate a friendly habitat and lure unsuspecting space travelers to land. It’s like a carnivorous plant.
I cannot help but to think of another living planet able to transform itself. This is the main concept of Solaris - a planet from the 1961 novel Solaris by Stanisław Lem. Of course, the Lem’s concept is much more developed. Solaris can read your mind and create any object from your memories, even a living human. So if someone close to you recently died, don’t visit Solaris. There is a chance that it will recreate this person. No matter how often you kill the impostor. Such a phenomena can make a man go crazy beyond description…
The theme that Lem and Tezuka share is defined by a question: what if alien forms of life are so bizarre, that we can’t even hope to begin to understand them, let alone communicate with them? On the next planet that Romy visits, there are hostile rocky roundels and monsters with bodies made only of dirt. Yeah, you read that right.
I doubt that Tezuka and Lem had known each other. And there may be a lot of SF writers around the world who had similar concepts. But still I find it fascinating that artists from completely different cultures asked the same questions about life, the universe and the everything.
Just don’t panic, Romy!

This Tezuka tumblelog/tumblog/Tumblr blog is tremendous.

tezukaspanels:

A planet that gobbles you up.

Another fragment from Phoenix: Nostalgia. Romy and her friends are trying to reach Earth. They stumble upon a very similar planet. There is a greenery everywhere - plants, grass, trees, lakes, mountains. But no animals.

The paradise turns to hell when suddenly the scenery changes to a grey mold trying to catch them. It seems that Verdove 3 is a living and man-eater planet that can transform its surface in order to imitate a friendly habitat and lure unsuspecting space travelers to land. It’s like a carnivorous plant.

I cannot help but to think of another living planet able to transform itself. This is the main concept of Solaris - a planet from the 1961 novel Solaris by Stanisław Lem. Of course, the Lem’s concept is much more developed. Solaris can read your mind and create any object from your memories, even a living human. So if someone close to you recently died, don’t visit Solaris. There is a chance that it will recreate this person. No matter how often you kill the impostor. Such a phenomena can make a man go crazy beyond description…

The theme that Lem and Tezuka share is defined by a question: what if alien forms of life are so bizarre, that we can’t even hope to begin to understand them, let alone communicate with them? On the next planet that Romy visits, there are hostile rocky roundels and monsters with bodies made only of dirt. Yeah, you read that right.

I doubt that Tezuka and Lem had known each other. And there may be a lot of SF writers around the world who had similar concepts. But still I find it fascinating that artists from completely different cultures asked the same questions about life, the universe and the everything.

Just don’t panic, Romy!

This Tezuka tumblelog/tumblog/Tumblr blog is tremendous.

Potato

Muramasa (1987)

A beautifully haunting anti-war statement by the incomparable Osamu Tezuka (birthed 2 years before the God of Manga’s death). Reminds me of the short animated films produced by the National Film Board of Canada that I used to randomly catch on Canadian TV in the late 80s (many of which freaked me out, but in a good way).

Potato
hands-of-god:

((Operating on yourself in the middle of the Australian outback infested by wild dingoes, like a boss.))

Straight up gangsterish.

hands-of-god:

((Operating on yourself in the middle of the Australian outback infested by wild dingoes, like a boss.))

Straight up gangsterish.

(Source: anangeldressedinblack)

Potato
Almost halfway through Part 1 of Apollo’s Song and am really digging it. Ordering a copy of Part 2 (along with Tezuka’s The Book of Human Insects and the upcoming Black Jack, Vol. 17) later this month.

Almost halfway through Part 1 of Apollo’s Song and am really digging it. Ordering a copy of Part 2 (along with Tezuka’s The Book of Human Insects and the upcoming Black Jack, Vol. 17) later this month.

(Source: pomoe)

Potato

futons:

Today marks what would of been Osamu Tezuka’s 83rd birthday. Taken from us at the ripe age of 60, Tezuka will forever be remembered for his memorable characters, his almost-stubborn work ethics, and the impact he made on Japanese anime and manga after World War II. Whilst most of his novels are still not available in english in the western world, many people have been familiar with characters such as Astro Boy, Princess Knight, and Kimba the White Lion since the early 60s. Although he’s gone in body, his memory and spirit will live on with fans and artists for many, many more years.

Osamu Tezuka, November 3, 1928 – February 9, 1989

R.I.P.

And to celebrate the special occasion, I shall re-watch the DVD documentary that came with the excellent God of Manga hardcover biography as well as enjoy some more tales from Black Jack vol. 6 later tonight (right before beddy-bye time), all while my Tezuka 80th birthday anniversary Astro G-Shock looks on from my night table. The utmost gratitude and endless appreciation for everything you have graciously given to the world, Tezuka-san. Happy (in what would be the master’s) 83rd Birthday!

Potato

materialkillers:

Astro Boy 60th Anniversary Casio G-Shock-00 - While many kids will probably grow up mainly knowing Astro Boy from the 2009 CGI movie, the creation of legendary Osamu Tezuka has long been a fixture in anime and manga culture.  To celebrate the 60th anniversary of the character’s creation, this limited edition G-Shock will release in late November.  Only 1000 pieces will be made, so if you want one you’ll have to scour the web.  Charamono will have preorders starting Nov 3rd.

As a proud owner of the Astro Boy G-Shock DW-6900FS timepiece (1 of only 1000 released in November 2008 in honour of Osamu Tezuka’s 80th birthday anniversary), you can bet your bottom dolla-dolla bill (y’all) that I will somehow, someway track this limited edition DW-5600 G-Shock model down (to be continued in a future post). Happy 60th Astro/Atom! And flying Astro Boy EL backlight FTW.

(via materialkillers)

Potato

ajowithablog:

Rare footage of a young Akira Toriyana (mangaka of Dragon Ball), Osamu Tezuka (god of manga) and both attending the anniversary of Araki Hirohiko (mangaka of JoJo’s Bizarre Adventure). Toriyama even appears drawing, which is VERY rare.

A feast for the manga gods. *bowing to the masters*

Potato

It really annoys me how little attention Osamu Tezuka gets from some of todays anime/manga fans

titanium-starfish:

Like, you’ll get all of these crazy people who say they love anime and manga, and the obsess over it to an unhealthy degree, but it’s highly unlikely many of them have ever watched or read any of Tezuka’s work. Hell, I bet some of them have never even heard of him.

And I’m just sitting here like

Hey, you see that super kawaii desu anime you’re watching? Where every one’s eyes take up half of their faces? Well it’s highly unlikely that would even exist now if it weren’t for this man.

He practically created manga as we know it today. He did more in 40 years than most people accomplish in their entire lives.

He created over 700 stories, sleeping only 4 hours a night and creating, with the help of his assistants, a minimum of 10 comic pages a day.

Until Tezuka came along, manga was considered a fairly pointless medium, and not the ideal career choice. He chose to create comics and tell stories instead of becoming a doctor.

He created shojo manga with Princess Knight, gave hope to post an entire nation suffering the aftermath of WWII with Astro boy, and even created the world’s first feature-length erotic animation.

He turned manga in to an art form, exploring every possible genre and demographic, and has inspired countless other artists and animators.

He kept working even when dying of stomach cancer, and his last words were “I’m begging you, let me work!”

So next time you watch an anime, or read a manga series, or tell someone that anime and manga “isn’t for kids” just remember who made that possible.

Remember Tezuka, and all of the manga artists of that generation because without them, none of it would exist.

Expertly stated (could not have said it better myself). Peeps need to do some serious knowledge and bow to the throne of the undisputed God of Manga/Anime as well as one of the G.O.A.T. artists the world has ever known.

Potato
thegooglelogoblog:

Astro Boy (Japan), 2008

Was this in honour of Osamu Tezuka’s 80th birthday anniversary? Either way, very cool and cute.

thegooglelogoblog:

Astro Boy (Japan), 2008

Was this in honour of Osamu Tezuka’s 80th birthday anniversary? Either way, very cool and cute.

Potato
retrosofa:

A deleted page from Osamu Tezuka’s MW.

Nice. I see you, Tezuka-san. MW is an insanely amazing read, no doubt.

retrosofa:

A deleted page from Osamu Tezuka’s MW.

Nice. I see you, Tezuka-san. MW is an insanely amazing read, no doubt.

Potato
stickeysnippettes:

My art featured in the Black Jack Webdoujin Anthology. I passed this five minutes late, but it made it! Ahahaha!

Wonderful!

stickeysnippettes:

My art featured in the Black Jack Webdoujin Anthology. I passed this five minutes late, but it made it! Ahahaha!

Wonderful!

(Source: laziestgittoeverstepinconverse)

Potato
The momentous birth/creation of Pinoko.

The momentous birth/creation of Pinoko.

(Source: comix-till-you-bleed)

Potato

Grey Daze Theme by Polaraul

J_Digi's Profile Page
Powered by Dailymotion