Michael Jackson - The Girl Is Mine (Solo Demo)
Minus Paul McCartney and therefore minus the kitschy end dialogue, and with some mega dreamy instrumentation and wonderful ad-libs not heard in the final (and IMO inferior) version. All in CD quality for the first time ever! Yes, Christmas has come exactly 7 weeks early as the official batch of CDQ Thriller demos from the famed early 80’s Thriller sessions have leaked online (thank you to whomever set these timeless gems free). These aren’t the same demos that have been heard on MJ’s Ultimate Collection or even the special edition of Thriller. These are the OH-FEE-SHALL blueprints, son. And if you didn’t enjoy the album version of The Girl Is Mine, then dare I say you might enjoy this.
These tracks were spawned during the beyond legendary Thriller sessions of the early 80’s and have never been heard before in full and in CD quality until now (which is pretty unbelievable). This magical package also includes some songs that were excluded from Thriller (like Carousel, Nite Line, Hot Street and Trouble) which, although they’ve been heard from in some form before, are also available in CDQ for the first time ever. If you’ve been listening to the low-quality demos all this time like I have, then you’ll thank your lucky stars for this momentous leak; for MJ fans, this is big news if you haven’t realized it by now.
Furthermore, I’m a demo freak as I tend to find the early drafts of songs much more fascinating than the finished product; they’re like the raw, creative form of the song before it gets all polished up and, in many cases, over produced in comparision (I’m just talking in general terms here). And if anything, demos are the blueprint for without which the final version would never ever come to fruition. To me, the demos sound like minimalist remixes hailing from an alternate universe. And although Thriller isn’t my personal favourite MJ album (it’s third behind 1. Off The Wall and 2. Dangerous), it doesn’t really get much better than the official demos/blueprints of the biggest selling album of all-time. The holy grail of demos, you could say.
I’ll post more tracks from this treasure trove of wonderfully raw and pure-sounding recording gems as the days go by (due to the limitations of the Tumblr audio posting system). Getting to hear these tracks at all is what the Internet was invented for, I feel. Hell, I’m just so thankful that I have good hearing to experience this (and you should be too). *turning up the volume on my headphones* A good Friday morning to you.
Michael Jackson - Carousel (Full CDQ Version)
Recorded in early 1982 and written by Don Freeman and Michael Sembello. This track was dropped off of Thriller in favour of Human Nature (a decision by Quincy and Michael that no one can really debate). Previously only available on the Thriller Special Edition release in shortened form (1:50) as well as in a low-quality, near-full version floating around online (3:55). Not anymore though, for here is the complete composition (4:10) of Carousel in CD quality sound. This is the way that this beautiful track was meant to be heard. Good morning.
From demos to rehearsals to backstage footage to studio sessions, I’m a total sucker for any depiction of the creative process in both film and music. Oftentimes, I feel that the journey towards the finished product is much more interesting than the end result itself. Case in point, I simply cannot get enough of old and dusty analog-sounding demos (and the more differences with the end product, the better). Thank you for giving us access to all of these rarities, Internetty.

Having said that, tonight’s the night I get to catch This Is It in theatres along with the millions (and millions!) of MJ fans over the next 2 weeks of its limited release. To mark the occasion, I plan on wearing an outfit I would’ve worn had I ever gotten the chance to see MikeyJacks in concert. No, it’s not a costume (despite it being so close to the Halloweekend), just a casual outfit that’s a bit more dressed up than I would normally wear out to the movies (weather permitting, of course). Because, after all: This. Is. It.
Hilarious. Further proof of the greatest respectfully competitive rivalry that the entertainment world has ever seen and will never see again. Looking forward to peeping MJ’s This Is It on the 28th.
An exclusive first look at the new Michael Jackson movie | EW.com

Last WaxPo I picked up was #32. Must cop this latest issue. Great covers as always.
Raekwon - Ason Jones
From the forthcoming and fantastic Only Built 4 Cuban Linx 2 LP. Touching rhymes by Rae dedicated to the late, great Ol’ Dirty Bastard (who is forever a part of the track via some vintage sound bytes of ODB wisdom). With a beautifully soulful beat provided by the late, great J Dilla (one of 3 posthumous Dilla beats on the album). And in light of the late, great Michael Jackson FINALLY being laid to rest tonight (the casket is in full view as I type this), I thought this would be the perfect time to post perhaps my favourite track from OBFCL2. Rest in eternal peace to all of those aforementioned musical geniuses.
Michael Jackson - Call On Me (Original Mix)
A childhood favourite and a track that my parents would play a lot around the house as well as on car trips. Recorded in 1973 by a teenage Michael who assures the listener that you’ve got a friend in him.
P.S. I’m certain that the background springing moog noise you hear about 7 seconds into the composition was sampled in a hip hop song; I just can’t quite put my finger on it. But just like the sound, my ears perked up and I sat up straight as soon as I heard the sample, knowing I’ve come across that somewhere before in a more recent track (I love that feeling). The digging saga continues…
Michael Jackson - HIStory (The Ummah Radio Mix)
This 5 minute recording from 1997 displays the immense talents of two late, great musical legends (Michael Jackson and James Yancey aka J Dilla/Jay Dee) together on wax, for one time only.
“Everyday create your history / every page you turn you’re writing your legacy”
Indeed. And what tremendous legacies that both Dilla Dawg and The King have left behind for us to enjoy until the end of our lives. Still, I can’t believe they’re both gone.
Rest In Beats.
Michael Jackson’s Moonwalker (SEGA, 1990)
I played this a couple of times in the arcade back in the day; how could my quarters resist the kick ass demo montage which was an animated recreation of the Smooth Criminal vid? And hearing the aforesaid track in MIDI form is indeed full of win.
I also owned a Genesis as a kid but unfortunately never asked my parents to buy me this. Well, time to somewhat make amends and find me the ROM so I can kick some enemy ass, MJ style (OWWW!).
(via Geek Sugar)
Here’s the very famous 1984 Pepsi commercial starring Michael Jackson, during which the infamous pyro mishap occurred. As a dope bonus, the second half of this viddy contains the other famous Pepsi/MJ commercial featuring a young Alfonso Ribeiro in the lead kid role, displaying his incredible MJ inspired dance moves (remember that legendary Soul Train ep of Fresh Prince where Carlton absolutely pwned the dance floor? Of course you do. Ahhh, memories).
I heard so much about this incident as a kid. And it’s quite surreal to see the near mythical footage, having finally been unearthed 25 years later (how did they keep it under wraps for so long?). The very real dangers of pyro on display here.
Michael Jackson - I Can’t Help It (Tangoterje Edit)
A beautifully lush 9.5+ minute extended mix of what I personally consider to be the second greatest MJ track ever behind Rock With You. Birthed 30 years ago in 1979 by a supremely epic trifecta of musical talent: written by Stevie Wonder, produced by Quincy Jones and performed by Michael Jackson. Legendary to say the least (and this extended mix masterfully accentuates all of the strengths of the original composition). Perfect for relaxing on a lazy Sunday such as this one (or any day of the week, really). So what are you waiting for? Press play to wilfully get lost in melodic paradise.
Great interview, although I found this part the most interesting:
HipHopWired: How long did the recording sessions last?
Teddy Riley: A real one? (Laughs.) A real one, I can give you some experiences of a real recording session with Michael. I sat in sessions with Kool & The Gang and it took like 8 hours just to tune the drums. Literally, like 8 hours. Go get tea, go get coffee, go look at a movie, while the engineer and the drummer just sit and hit the tom toms for about an hour and move the mic around. And then the piano, tuning the piano, the tuner would have to tune the piano, and we have to set up the mics on the piano where we would get the crispiness of that piano sound. That’s two hours alone. Now what you’d call a modern day session is fast. Like I can do a modern day session in less than an hour. Get vocals done in another hour. The session is over at the end of the day. “Celebration,” “Ladies’ Night,” was three days. Michael Jackson’s “Heal The World” was a month. Matter of fact, I think longer than that ‘cause they did it in days like with a string session. What I did with Michael doing strings on “Heaven Can Wait,” was like, we did the track first, that all took one day, and then the string section and then we did the guitar session and that’s about three days. So the modern day is a little quick. Lil’ Wayne, all those guys, the new cats, they cut a record in an hour. Michael Jackson, Kool & The Gang, Frank Sinatra, they take the time to get all that stuff tuned and get it all right so they are setting up the mood with the sound.
Epic. And to this day, Dangerous remains my second favourite MJ album behind Off The Wall. So yes, I do in fact prefer Dangerous over Thriller (but they’re all perfect in their own way).