[Flash 9 is required to listen to audio.] Spun 6 times

Michael Jackson - The Girl Is Mine (Solo Demo)

Minus Paul McCartney and therefore minus the kitschy end dialogue, and with some mega dreamy instrumentation and wonderful ad-libs not heard in the final (and IMO inferior) version. All in CD quality for the first time ever! Yes, Christmas has come exactly 7 weeks early as the official batch of CDQ Thriller demos from the famed early 80’s Thriller sessions have leaked online (thank you to whomever set these timeless gems free). These aren’t the same demos that have been heard on MJ’s Ultimate Collection or even the special edition of Thriller. These are the OH-FEE-SHALL blueprints, son. And if you didn’t enjoy the album version of The Girl Is Mine, then dare I say you might enjoy this.

These tracks were spawned during the beyond legendary Thriller sessions of the early 80’s and have never been heard before in full and in CD quality until now (which is pretty unbelievable). This magical package also includes some songs that were excluded from Thriller (like Carousel, Nite Line, Hot Street and Trouble) which, although they’ve been heard from in some form before, are also available in CDQ for the first time ever. If you’ve been listening to the low-quality demos all this time like I have, then you’ll thank your lucky stars for this momentous leak; for MJ fans, this is big news if you haven’t realized it by now.

Furthermore, I’m a demo freak as I tend to find the early drafts of songs much more fascinating than the finished product; they’re like the raw, creative form of the song before it gets all polished up and, in many cases, over produced in comparision (I’m just talking in general terms here). And if anything, demos are the blueprint for without which the final version would never ever come to fruition. To me, the demos sound like minimalist remixes hailing from an alternate universe. And although Thriller isn’t my personal favourite MJ album (it’s third behind 1. Off The Wall and 2. Dangerous), it doesn’t really get much better than the official demos/blueprints of the biggest selling album of all-time. The holy grail of demos, you could say.

I’ll post more tracks from this treasure trove of wonderfully raw and pure-sounding recording gems as the days go by (due to the limitations of the Tumblr audio posting system). Getting to hear these tracks at all is what the Internet was invented for, I feel. Hell, I’m just so thankful that I have good hearing to experience this (and you should be too). *turning up the volume on my headphones* A good Friday morning to you.

Comments (View)
[Flash 9 is required to listen to audio.] Spun 4 times

Michael Jackson - Carousel (Full CDQ Version)

Recorded in early 1982 and written by Don Freeman and Michael Sembello. This track was dropped off of Thriller in favour of Human Nature (a decision by Quincy and Michael that no one can really debate). Previously only available on the Thriller Special Edition release in shortened form (1:50) as well as in a low-quality, near-full version floating around online (3:55). Not anymore though, for here is the complete composition (4:10) of Carousel in CD quality sound. This is the way that this beautiful track was meant to be heard. Good morning.

Comments (View)
Comments (View)
"In fact, as the production got under way, it quickly became clear that Jackson’s creative ambitions for the concerts were beyond anything he’d ever attempted. With the budget already past $24 million, Jackson told his team he wanted to recreate one of the world’s largest waterfalls — Victoria Falls in southern Africa — on the stage. “I was ready to jump off the balcony of my office,” says Randy Phillips, president of the concert promotion firm AEG Live. “We went and met with Michael, and [director] Kenny [Ortega] said, ‘Michael, you’ve got to stop. We’ve got an incredible show, we don’t need any more vignettes.’ Michael said, ‘But Kenny, God channels this through me at night. I can’t sleep because I’m so supercharged.’ Kenny said, ‘But Michael, we have to finish. Can’t God take a vacation?’ Without missing a beat, Michael said, ‘You don’t understand — if I’m not there to receive these ideas, God might give them to Prince.’ "

Hilarious. Further proof of the greatest respectfully competitive rivalry that the entertainment world has ever seen and will never see again. Looking forward to peeping MJ’s This Is It on the 28th.

An exclusive first look at the new Michael Jackson movie | EW.com

Comments (View)

Wax Poetics, Issue 37 - September/October 2009

Last WaxPo I picked up was #32. Must cop this latest issue. Great covers as always.

Comments (View)
[Flash 9 is required to listen to audio.] Spun 13 times

Raekwon - Ason Jones

From the forthcoming and fantastic Only Built 4 Cuban Linx 2 LP. Touching rhymes by Rae dedicated to the late, great Ol’ Dirty Bastard (who is forever a part of the track via some vintage sound bytes of ODB wisdom). With a beautifully soulful beat provided by the late, great J Dilla (one of 3 posthumous Dilla beats on the album). And in light of the late, great Michael Jackson FINALLY being laid to rest tonight (the casket is in full view as I type this), I thought this would be the perfect time to post perhaps my favourite track from OBFCL2. Rest in eternal peace to all of those aforementioned musical geniuses.

Comments (View)

Interview Magazine, August 2003: Michael Jackson interviews Pharrell Williams

  • MICHAEL JACKSON: Hello?
  • PHARRELL WILLIAMS: Hello! How are you, man?
  • MJ: You must forgive me, but Gregory Peck, who died yesterday, was a very dear friend of mine, and I've been helping his wife prepare the memorial and all those things. So please forgive me for being late with this call.
  • PW: No, listen, man, I can't believe I'm on the phone with you.
  • MJ: Oh, God bless you.
  • PW: Thank you, sir. You too.
  • MJ: Thank you. So, I'm interviewing you, right? And I think it's seven questions, or something like that?
  • PW: Sure. Whatever you like.
  • MJ: Okay. What would you say inspires you in your music? What is it that inspires you to create your music?
  • PW: It's a feeling. You treat the air as a canvas and the paint is the chords that come through your fingers, out of the keyboard. So when I'm playing, I'm sort of painting a feeling in the air. I know that might sound corny, but--
  • MJ: --No. No, that's a perfect analogy.
  • PW: And when you know it's done, you know it's done. It's like painting or sculpting. When you let it go it's because you know that it's finished. It's completed. And vice versa-it tells you, "Hey, I'm not done."
  • MJ: Yeah. And it refuses to let you sleep until it's finished.
  • PW: That's right.
  • MJ: Yeah, I go through the same thing. [laughs] And what do you think of the music today--are you into the new sounds that are being created and the direction that music is going?
  • PW: Well, personally, I kind of feel like I'm taking notes from people like yourself and Stevie [Wonder] and Donny [Hathaway], and just sort of doing what feels right.
  • MJ: Right.
  • PW: You know, like when everyone was going one way, you went Off the Wall [1979].
  • MJ: Right. [laughs]
  • PW: And when everyone else was going another way, you went Thriller [1982]. You just did it your way. And I'm taking notes from people like yourself, like not being afraid to listen to your feelings and turn your aspirations and ambitions into material. Making it happen, making it materialize.
  • MJ: That's beautiful. That's lovely. You said that very well. I wanted to ask you--do you feel, the way I do, that it's almost like a pregnancy, giving birth? Writing a song is like having a child, and once the song is finished, it's like letting the child into the world. Do you ever feel like that, like it's hard to let go?
  • PW: You know what? I did an interview the other day to present a video, and I was afraid to let it go. That was for a video, but the video to me is like the second part of the song because it is the interpretation given in a visual perspective. So, yes, I completely feel that way. And it's like sometimes if you play something to people and they don't get it, it's kind of like your child who's done something and everyone is pointing fingers and you're like, 'Wait! This is my kid!" Now, I'm not a father, but I imagine that's the way it would be--at least that's how I feel about my songs.
  • MJ: Right. Now the different forms of music--popular-culture music--that the black race has been responsible for bringing in, ushering in, from jazz to pop to rock 'n' roll to hip-hop, you name it, what do you think that is all about? Is it given from God?
  • PW: I think all music is a gift from God. And--[a fan interrupts] Michael, can you hold on for one second? [Williams talks to fan for a few seconds, then resumes talking to Jackson] Sorry.
  • MJ: [laughs] Blues, rock 'n' roll, all the different forms of popular-cultural music--like rock 'n' roll was invented by Chuck Berry, Little Richard, Fats Domino.
  • PW: Absolutely.
  • MJ: Even the dances from the cakewalk to the Charleston, the popping, the breaking, the locking. Don't you think they're a gift from God?
  • PW: Absolutely. God gave us that gift when he gave us the gift of interpretation. I mean, when you write your lyrics, you're writing to someone, or to the world. When you're playing, you're playing something for the world to hear. When you're dancing, you're dancing for people to see. It's just a form of expression. And then there are times when you might be a little more introverted about it, when you're dancing, writing, or playing for yourself, and you have no idea how amazing what you're doing looks, sounds, or feels, until somebody else tells you, or until you record it and go back and look at it.
  • MJ: That's right. Who are some of the older artists--not the artists on the radio today--who inspired you when you were younger? Like the artists your father listened to, did you learn anything from those artists?
  • PW: Absolutely. The Isley Brothers.
  • MJ: Yeah, me too. I love the Isley Brothers. And I love Sly and the Family Stone.
  • PW: Donny [Hathaway], Stevie [Wonder] ...
  • MJ: You like all the people I like. [laughs)
  • PW: Those chord changes. They take you away.
  • MJ: Beautiful, beautiful. Okay, well, where are you? In New York?
  • PW: I'm in Virginia Beach, Virginia, sir.
  • MJ: Virginia! Oh, beautiful. Will you give my love to Virginia?
  • PW: Yes. Thank you.
  • MJ: And your mother and your parents? Because God has blessed you with special gifts.
  • PW: Thank you, sir. And I just want to say something, and I don't know if you want to hear this, but I just have to say it because it's on my heart. But people bother you--
  • MJ: --Yeah.
  • PW: --Because they love you. That's the only reason why. When you do something that people don't necessarily understand, they're going to make it into a bigger problem than they would for anybody else because you're one of the most amazing talents that's ever lived. You've accomplished and achieved more in this century than most any other men.
  • MJ: Well, thank you very much. That's very kind of you.
  • PW: What you do is so amazing. When you are 100 years old, and they're still making up things about what you've done to this and what you've done to that on your body--please believe me, if you decided you wanted to dip your whole body in chrome, you are so amazing that the world, no matter what they say, is going to be right there to see it. And that is because of what you have achieved in the music world, and in changing people's lives. People are having children to your songs. You've affected the world.
  • MJ: Thank you very much. It's like the bigger the star, the bigger the target. You know when you're--and I'm not being a braggadocio or anything like that--but you know you re on top when they start throwing arrows at you. Even Jesus was crucified. People who bring light to the world, from Mahatma Gandhi to Martin Luther King to Jesus Christ, even myself. And my motto has been Heal the World, We are the World, Earth Song, Save Our Children, Help Our Planet. And people want to persecute me for it, but it never hurts, because the fan base becomes stronger. And the more you hit something hard, the more hardened it becomes--the stronger it becomes. And that's what's happened: I'm resilient. I have rhinoceros skin. Nothing can hurt me. Nothing.
  • PW: Well, that's precisely my point. I just want to let you know you're amazing, man. What you do to music, what you've done to music, from "Billie Jean" to "That's What You Get (For Being Polite)"--[Sings "That's what you get for being polite"].
  • MJ: Oh, you know that one? [laughs]
  • PW: [sings "Jack still sits all alone"]
  • MJ: Boy, you know all those ones.
  • PW: When you do that, you do that to the world. [resumes singing "Jack still sits all alone"]
  • MJ: [hums a guitar riff]
  • PW: If I never work with you, just know that you are unstoppable. That's why I said, when you're 100 years old and you decide to dip your entire body in chrome, as much as they say things--and I don't care what they say about you, sir--they're going to be right there to see it.
  • MJ: There's a lot of jealousy there. I love all races, I love all people, but sometimes there's a devil in people, and they get jealous. Every time there's a luminary that goes beyond the heights of his field of endeavor, people tend to get jealous and try to bring him down. But they can't with me because I'm very, very, very strong. [laughs) They don't know that, though.
  • PW: They know! Please believe me, they know!
  • MJ: Anybody else would've cracked by now; they can't crack me. I'm very strong.
  • PW: Of course. They couldn't crack you when you were 10, because you were destroying grown men doing what you did with your voice and your talent. And when you were 20, you were outdoing people that had been doing it for 20 or 30 years. And nowadays they're still waiting to see where you're at. They want to see your kids, they want to see your world. You're amazing, and I just wanted to tell you that, man. And I hope that this all gets printed because it's very important to me. I hope that I can be half as dope as you one day.
  • MJ: Oh, God bless you. You're wonderful, too. Thank you so much.
  • PW: Thank you, man.
  • MJ: Have a lovely day.
  • PW: You too, sir.
  • MJ: Thank you. Bye.
  • PW: Bye.
  • Source: http://findarticles.com/p/articles/mi_m1285/is_7_33/ai_105735866/
Comments (View)
[Flash 9 is required to listen to audio.] Spun 17 times

Michael Jackson - Call On Me (Original Mix)

A childhood favourite and a track that my parents would play a lot around the house as well as on car trips. Recorded in 1973 by a teenage Michael who assures the listener that you’ve got a friend in him.

P.S. I’m certain that the background springing moog noise you hear about 7 seconds into the composition was sampled in a hip hop song; I just can’t quite put my finger on it. But just like the sound, my ears perked up and I sat up straight as soon as I heard the sample, knowing I’ve come across that somewhere before in a more recent track (I love that feeling). The digging saga continues…

Comments (View)
[Flash 9 is required to listen to audio.] Spun 62 times

Michael Jackson - HIStory (The Ummah Radio Mix)

This 5 minute recording from 1997 displays the immense talents of two late, great musical legends (Michael Jackson and James Yancey aka J Dilla/Jay Dee) together on wax, for one time only.

“Everyday create your history / every page you turn you’re writing your legacy”

Indeed. And what tremendous legacies that both Dilla Dawg and The King have left behind for us to enjoy until the end of our lives. Still, I can’t believe they’re both gone.

Rest In Beats.

Comments (View)

Michael Jackson’s Moonwalker (SEGA, 1990)

I played this a couple of times in the arcade back in the day; how could my quarters resist the kick ass demo montage which was an animated recreation of the Smooth Criminal vid? And hearing the aforesaid track in MIDI form is indeed full of win.

I also owned a Genesis as a kid but unfortunately never asked my parents to buy me this. Well, time to somewhat make amends and find me the ROM so I can kick some enemy ass, MJ style (OWWW!).

(via Geek Sugar)

Comments (View)

Here’s the very famous 1984 Pepsi commercial starring Michael Jackson, during which the infamous pyro mishap occurred. As a dope bonus, the second half of this viddy contains the other famous Pepsi/MJ commercial featuring a young Alfonso Ribeiro in the lead kid role, displaying his incredible MJ inspired dance moves (remember that legendary Soul Train ep of Fresh Prince where Carlton absolutely pwned the dance floor? Of course you do. Ahhh, memories).

Comments (View)

I heard so much about this incident as a kid. And it’s quite surreal to see the near mythical footage, having finally been unearthed 25 years later (how did they keep it under wraps for so long?). The very real dangers of pyro on display here.

Comments (View)
[Flash 9 is required to listen to audio.] Spun 131 times

Michael Jackson - I Can’t Help It (Tangoterje Edit)

A beautifully lush 9.5+ minute extended mix of what I personally consider to be the second greatest MJ track ever behind Rock With You. Birthed 30 years ago in 1979 by a supremely epic trifecta of musical talent: written by Stevie Wonder, produced by Quincy Jones and performed by Michael Jackson. Legendary to say the least (and this extended mix masterfully accentuates all of the strengths of the original composition). Perfect for relaxing on a lazy Sunday such as this one (or any day of the week, really). So what are you waiting for? Press play to wilfully get lost in melodic paradise.

Comments (View)
Comments (View)