Carddeck_P's Def Jam RAPSTAR Top World Rankings (as of December 8, 2011)
image

"Astonishment is our natural state of mind." - Paul Harris.

"Style is what an artist uses to fascinate the beholder in order to convey to him his feelings and emotions and thoughts." - Stanley Kubrick.

"Always be yourself, express yourself, have faith in yourself, do not go out and look for a successful personality and duplicate it." - Bruce Lee.

"If ya ears hurt, you shouldn't listen. That means you artificial and my style'll poison ya brain tissue." - Black Thought

"I also believed that comics were capable of more than just making people laugh. So in my themes I incorporated tears, grief, anger, and hate, and I created stories where the ending was not always happy." - Osamu Tezuka

The Roots - The OtherSide (feat. Bilal Oliver) [Late Night w/ Jimmy Fallon: 2011-12-06]

A web exclusive clip showcasing a tremendous live performance of undun’s superb 6th track (and a vintage style Roots composition that belongs up there with some of the band’s greatest creations). Always a treat to peep these incredibly talented gentlemen performing live on late night network TV (and at their own nightly gig, no less). Everyone across the board kills it here: Thought performs both of his ill verses from The OtherSide and then (like the human rhyme style replicating machine that he is) executes Greg Porn’s excellently dark third verse to perfection. Then there’s Captain Kirk blacking out on electric guitar, not to mention Poyser and Kamaal totally feelin’ it on the keys (James even cracks a smile near the end). And finally, the illa-5th dynamite back-and-forth between Bilal and Kirk during the track’s extended home stretch, leading into a ?uesto-led crescendo finale (I imagine this is how The Roots will be performing this joint while on tour). Can’t wait to get the chance to peep this (and other wonderful moments from undun) live in person, hopefully sometime next year. Be sure to cop the new album (my CD copy is currently in transit, packaged together with this super sweet Roots tee). “That’s when we’ll settle up the score!”

Potato

The Roots - The Christmas Song (Late Night w/ Jimmy Fallon: 2010-12-21)

If I had to choose only ONE aspect of the holidays that I absolutely must experience every year to make this festive time truly complete, it would have to be listening to Nat King Cole’s legendary rendition of the Mel Torme composed Christmas classic, simply and aptly titled The Christmas Song. Not the snow, presents nor the decorations. Mainly because that song magically conjures up crystal clear images of each and every one of those staples and more, all by itself (wherever you may be).

No words can describe how the opening high pitched notes puts a smile on my face or the timeless sound of the King (and the G.O.A.T. singing voice) doing his classy thing like no one else has done before or since. And if you’re a fan as well, then I’m sure you know that song off by heart and note for note with much love and admiration. Not even a snifter of Carlos I Imperial brandy consumed while chilling by the fireplace makes me feel as warm inside as that song does.

So you can imagine my overwhelming excitement when I heard earlier this week that my all-time favourite band would be performing my all-time favourite Christmas Song on Late Night (?…!!!!!! —> Me). I managed to catch the west coast airing of said performance, and have now peeped the above viddy enough times to give the following breakdown of the holiday greatness on display:

  • Black Thought: the greatest MC alive and one of the be(a)st to ever hold a microphone (“I never use a cordless, or stand applaud-less / sippin’ chlorophyll outta ill silver goblets”). Tariq shows here (much like during the amusing “Slow Jam The News” bits) that he can also carry a smooth tune, something that MANY rap lyricists cannot do to save their lives. A subdued and classy performance by a dynamite wordsmith and an underrated crooner.
  • Kamal: When Mal-dog set things off with those iconic synth strings-style lead off notes, I was instantly sold on the rendition. I’ve heard Kamal recreate many classic joints over the years via his magical keyboard (namely on tour as part of the classic “hip hop 101” segments at live Roots shows). And to this day, dude never ceases to amaze me.
  • ?uesto: Subtle sounds on the drums and cymbals is all we hear from Mr. Thompson in this live performance. Like snowflakes falling ever so slightly.
  • Knuckles: The yang percussionist to ?uesto’s yin drums, Frankie handles the wind chimes here, sprinkling a touch of magic over the proceedings.
  • Owen: On bass guitar. Very subtle notes for ambiance, coupled with the funny/chill look that’s always on Owen’s face when he’s playing.
  • Tuba Gooding Jr.: Adding some subtle subterranean sounds to the composition, much like he always does.
  • James Poyser: The melodic keys master of the Soulquarians nails the solo piano section (although I’m sure it was a piece of cake for that dude). Poyser and Kamal together are like a dynamic keys super tag team, no doubt.
  • Captain Kirk: The electric guitar genius (and I told Kirk as much in person when I got to shake his hand at a Roots show), freaking the solo strings section of The Christmas Song to perfection. And let’s not forget the dreamy end notes that beautifully takes the listener home again.

How many other bands do you know that can masterfully perform ANY genre of music (having now added traditional holiday music to their repertoire) on top of their own extensive critically acclaimed catalogue? The list is VERY small, no doubt. Hence, The Roots truly stand in their own realm, first in the hip hop world and now on the mainstream TV platform on which they’ve been proudly displaying their immense talents without artistic compromise. And this beautiful performance of The Christmas Song is the snowy icing on the holiday cake, no doubt.

So if you haven’t already, press play to thoroughly enjoy this Legendary rendition (one that will no doubt become a part of my annual holiday tradition) of IMO the most magical Christmas composition ever created.

“And although it’s been said, many times, many ways. Merry Christmas…to you.”

Potato
Black Thought making a bowl of ambrosia fruit salad while ?uestlove and Big Boi look on in the background. Add this to the list of (hilarious) things that I never expected to see. Another win for Late Night (and another great comedic performance by Tariq).
From the LNJF shout outs segment (07/12/10), which also included:
?uesto basically confirming the rumours that he’s joining forces with Raphael Saadiq and Amy Winehouse in a Lucy Pearl-esque LP collaboration (awesome!).
Kamaal big-upping string cheese like only he can (overly hardcore).
The LNJF drink expert (show writer Morgan) shouting out to H2O…to be  used as ice cubes in a glass of Hypnotic.
Late Night director Dave with yet another kinky story about him and his wife (ass fireworks…woo-hah!).
Tariq shouting out to Ambrosia: the feast of the gods…and also the sweet fruit salad which he then proceeds to make, cooking show style (I lost it right about here).
The glorious return of the “Hubble Gotchu” guy shouting out to molecular models and then back to what got him to the dance: Hubble telescope pix.
In addition, the smoove Sir Lucious Left Foot sat in all night with The Roots and I heard the following Roots-ified ‘Kast/Big Boi classics re-imagined live:
Daddy Fat Sax…I think (Antwan then tells Jimmy about the superb Lookin’ For Ya track he did with Andre that the record label stupidly cut from the LP: “You can Google it on the Internet for free.” - Big Boi)
ATLiens (modified with a “say O-K-er!” during the hook)
Mainstream (just the “went it ain’t all peaches ‘n cream” hook, and that makes 2 joints from my favourite ‘Kast LP)
Reset
The Way You Move
Shutterbug (performed in full, with a shout out to Khujo Goodie at the end…what happened with Khujo?)
Another fantastic sit-in appearance with The Roots and my favourite one to date, considering that Outkast and The Legendary are both TOP 5 music groups in my book. And if you haven’t already, go out and cop Boi’s new album (I did). It’s FAN-tastic! Not yet sure if it’s better than Speakerboxxx though (it’s a close call IMO).
“Now, ladle these ingredients together. Refrigerate them for a few hours. And become your family reunion star for the day!” (c) Black Thought (with ?uesto and crew supplying a calming lounge melody for ambiance)

Black Thought making a bowl of ambrosia fruit salad while ?uestlove and Big Boi look on in the background. Add this to the list of (hilarious) things that I never expected to see. Another win for Late Night (and another great comedic performance by Tariq).

From the LNJF shout outs segment (07/12/10), which also included:

  • ?uesto basically confirming the rumours that he’s joining forces with Raphael Saadiq and Amy Winehouse in a Lucy Pearl-esque LP collaboration (awesome!).
  • Kamaal big-upping string cheese like only he can (overly hardcore).
  • The LNJF drink expert (show writer Morgan) shouting out to H2O…to be used as ice cubes in a glass of Hypnotic.
  • Late Night director Dave with yet another kinky story about him and his wife (ass fireworks…woo-hah!).
  • Tariq shouting out to Ambrosia: the feast of the gods…and also the sweet fruit salad which he then proceeds to make, cooking show style (I lost it right about here).
  • The glorious return of the “Hubble Gotchu” guy shouting out to molecular models and then back to what got him to the dance: Hubble telescope pix.

In addition, the smoove Sir Lucious Left Foot sat in all night with The Roots and I heard the following Roots-ified ‘Kast/Big Boi classics re-imagined live:

  • Daddy Fat Sax…I think (Antwan then tells Jimmy about the superb Lookin’ For Ya track he did with Andre that the record label stupidly cut from the LP: “You can Google it on the Internet for free.” - Big Boi)
  • ATLiens (modified with a “say O-K-er!” during the hook)
  • Mainstream (just the “went it ain’t all peaches ‘n cream” hook, and that makes 2 joints from my favourite ‘Kast LP)
  • Reset
  • The Way You Move
  • Shutterbug (performed in full, with a shout out to Khujo Goodie at the end…what happened with Khujo?)

Another fantastic sit-in appearance with The Roots and my favourite one to date, considering that Outkast and The Legendary are both TOP 5 music groups in my book. And if you haven’t already, go out and cop Boi’s new album (I did). It’s FAN-tastic! Not yet sure if it’s better than Speakerboxxx though (it’s a close call IMO).

“Now, ladle these ingredients together. Refrigerate them for a few hours. And become your family reunion star for the day!” (c) Black Thought (with ?uesto and crew supplying a calming lounge melody for ambiance)

Potato
[Flash 9 is required to listen to audio.]
30 plays

The Roots w/ Ice Cube - Straight Outta Compton (Warm-Up Song/Pre-Song)

You are now in tuned to the sounds of the legendary:

  • ?uestlove as Dr. Dre (street knowledge intro)
  • Ice Cube as Himself (love those mutha-mutha edits, O’Shea)
  • Black Thought as MC Ren (flawless as usual, with more clever lyrical edits)
  • Captain Kirk (who busts through the door and kills it!) as Eazy-E
  • The Legendary Roots Crew recreating the classic Dre/Yella beat (note perfect, as always)

Recorded live before the May 28, 2010 edition of Late Night w/ Jimmy Fallon (featuring Ice Cube as guest, sitting in with The Roots).

And while I’m at it, here are some highlights of Cube’s Late Night appearance:

  • Live medleys of Check Yo Self and It Was A Good Day (backed by The Roots).
  • Cube trying to explain to the naive host what a scag/scallywag is (haha).
  • The underrated Arabian Prince getting mentioned when Jimmy pulled out this vintage N.W.A photo.
  • Ahmir (?uestlove) talking about how he and Tariq (Black Thought) met while Thought was rapping the lyrics to N.W.A’s first album in the lunchroom of their high school (“If it weren’t for N.W.A, you wouldn’t have The Roots!” (c) Ice Cube).
  • And my favourite part: Before all of the above took place, Cube entered the stage to the awesomely raw sounds of The Roots covering the hook of The Nigga Ya Love To Hate from Cube’s five-mic rated, Bomb Squad produced masterpiece: 1990’s AmeriKKKa’s Most Wanted —-> still dude’s best solo recording ever IMO. Because just like Common said to Cube on the greatest diss track of all-time: “You ain’t made shit dope since Amerikkka’s Most.” Ironically, that viewpoint can also be applied to Com’s transformation over the past decade from elite lyricist to Hollywood ladies man, but I digress. I still have The Bitch In Yoo (in particular, this version) on cassette tape, recorded off college radio back in ‘96 (when he was still known as Common Sense aka the ill side of Rashid that appears to no longer exist).
  • As for said intro track, I’ll bet that’s the first ever network TV appearance of The Nigga Ya Love To Hate (not exactly a lead single/radio friendly track). And the obligatory curses (i.e. “FUCK YOU, ICE CUBE!”, “You don’t like how I’m livin’? Well, FUCK YOU!”) were censored for the TV broadcast, of course. EXCELLENT song choice as usual, ?uest! Way to constantly use your platform to creatively go where no TV house band has gone before. In this case, to remind the public of who Ice Cube was before the wack-ass “Are We There Yet?” days.

“I can’t believe you did that!” (c) ?uest @ Kirk after the Captain’s unexpected, hilariously spot-on Eazy-E rendition.

(Non-televised live track via ?uestlove’s SwiftFM)

Potato

Shout Outs as seen on Late Night w/ Jimmy Fallon (4/15/10)

Highlights include:

  • Brother ?uestion shouting out to the Okayplayers that have been down since DAY ONE (that would include me!).
  • Black Thought bringing back the jheri curls (“Ay yo El Debarge: I’m comin’ for yo’ spot!”)
  • “Hubble Got You!” (Nerd Hop style)

And I just might have to try a highball of “Tijuana Doctor” (Patron and Dr. Pepper) when the weather gets (and stays) warm. Sounds delish.

Potato

6-Bee: Episode 2 (as seen on Late Night with Jimmy Fallon, 4/8/10)

I don’t watch Glee (because, you know, I don’t like to torture myself in that way), but this skit was epic. Namely because The Roots were thoroughly involved (the Parks and Rec cast playing themselves was also a nice bonus). And seeing Aubrey Plaza and ?uestlove interact was adorable (especially Aubrey, who seemed pretty much in character the whole time…ironic hoodie stance and all).

Well, it’s been a while since I did an LNJF recap, so heeeeerrrrre we go:

  • Tina Fey entered the studio to the sound of The Roots perfectly replicating the beat and hook to A Tribe Called Quest’s classic example of a…a dope joint: The Infamous Date Rape (from my favourite Tribe LP: 1991’s The Low End Theory). Only this time, the lyric was changed to: “Classic example of a…a date NIGHT” to reflect the flick that Fey is currently promoting (you know, “the funniest Steve Carell movie EVER”, apparently? Yeah, that one).
  • Charades! Weekend Up Date Edition w/ Poehler and Meyers was entertaining. “Straight Outta Compton” was my favourite selection (no particular reason).
  • Justin Bieber (never thought I would ever mention his name on my site) had a drum-off with ?uestlove (something I’ve noticed happens often if the guest can play the drums).
?uestlove: Are you ready?
Justin Bieber: Are YOU ready?
?uesto: Sure.
Bieber: I was born ready! —-> very original answer /s
?uesto: (sarcastically) Oooooh!
  • Oh Justin, do you even have ANY idea of the caliber of brilliant artists that you are jamming with? Of course you don’t, you silly little kid, you (show some respect to The Legendary). Congrats on all of your success though. Edit:…punk.
  • Before Bieber came out, The Roots did a little sandwich coming back from break, with Thought spitting “Stand tall or sit yourself down / all the way from 2-15”, which is an edited version of the hook from Double Trouble (“Either stand tall or sit the fuck down! / all the way from 2-1-5th to Bucktown!”) from 1999’s Things Fall Apart. I love figuring out where the bars are coming from (remember, my brain is a stacked encyclopedia of intricate Black Thought lyrics).
  • Coming back from the final break with the final sandwich: “Check it out now, it’s the type cere-bral / world renowned, illustrious, ille-gal” = Thought’s opening bars from Without A Doubt. I guess The Roots felt like paying honour to the album that gave them the most mainstream exposure to date…and the LP that always reminds me of my high school grad trip to Mt. Tremblant in Quebec, where I played the then freshly copped CD countless times (and I specifically sought out the morbid Tally-Ho Ace cover and got a poster with it too! Edit: as well as street promo stickers that I would place all around town as the dedicated fan that I was and still am). 
  • Chef Mario Batali @ The Roots: “I live for this band! I cook for this band!” I enjoy ANY moment where someone on the show big-ups the illa-5th.

Good show overall to catch. But yeah, that 6-Bee sketch up top is fun for sure.

Potato
"So to all the people watching, I can never ever…thank you enough for the kindness to me and I’ll think about it for the rest of my life. And all I ask is one thing, and this is…I’m asking this particularly of young people that watch: PLEASE do not be cynical. I hate cynicism. For the record, it’s my least favourite quality. It doesn’t lead anywhere. Nobody in life gets exactly what they thought they were going to get. But if you work really hard and you’re kind. Amazing things will happen. I’m telling you, AMAZING things will happen. I’m telling you; it’s just true."
Conan’s final words to his loyal fans as host of The Tonight Show. Great message/advice to take to heart. Loved the entire swan song broadcast from top to bottom. Plus The Roots and Fallon pouring out a little OE in Studio 6A in honour of Conan’s Tonight Show tenure right at the very beginning of Late Night was a really nice touch (glad I set the DVR to go 5 minutes over time). “Yeah! And ya don’t stop…well it’s 1-8-7 and CoCo Rocks!” (c) Black Thought & ?uestlove getting their Deep Cover on.
Potato
Bart: You know, Conan, I have a lot to say. I’m not just a one-line wonder. Did you know that a section of rain forest the size of Kansas is burned every single…
Conan: [interrupting] Just do the line.
Bart: [glum] I didn’t do it. [Everyone laughs and cheers]
Conan: [laughs] Great material. We’ll be right back. [Music starts, and Conan dances. Bart halfheartedly joins him] Sit perfectly still: only I may dance!
-From [1F11] Bart Gets Famous (original aired: Feb 3, 1994)
Thanks for the best Tonight Show memories EVER, old friend. Looking forward to what you, Andy and Max (and Joel!) will hopefully cook up together come September on FOX (allegedly). Enjoy your spring vacation.
The very last episode of The Tonight Show with Conan O’Brien begins right now. Here we go…

Bart: You know, Conan, I have a lot to say. I’m not just a one-line wonder. Did you know that a section of rain forest the size of Kansas is burned every single…

Conan: [interrupting] Just do the line.

Bart: [glum] I didn’t do it. [Everyone laughs and cheers]

Conan: [laughs] Great material. We’ll be right back. [Music starts, and Conan dances. Bart halfheartedly joins him] Sit perfectly still: only I may dance!

-From [1F11] Bart Gets Famous (original aired: Feb 3, 1994)

Thanks for the best Tonight Show memories EVER, old friend. Looking forward to what you, Andy and Max (and Joel!) will hopefully cook up together come September on FOX (allegedly). Enjoy your spring vacation.

The very last episode of The Tonight Show with Conan O’Brien begins right now. Here we go…

Potato
From the Archive - Op-Classic, 1993 - O'Brien Flops! - NYTimes.com

September 13, 1993
O’Brien Flops!
By CONAN O’BRIEN

Conan O’Brien is host of “Late Night.”

There has been much speculation about the new “Late Night with Conan O’Brien.” Little is known about the new host, and even less about the show’s format. Last week, this writer had the opportunity to watch a test show in Rockefeller Center’s legendary studio 6-A. Frankly, I was not impressed.

The crowd was visibly eager to like the young newcomer, but some seemed puzzled by the radical new set. The backdrop, consisting of 15-foot representations of Mr. O’Brien’s laughing head, loomed over his desk and chair, both carved from illegally imported African ivory. While this was somewhat unsettling, an aura of eager anticipation still hung in the air.

Until, that is, the new Late Night band began to play. Composed of musicians cut by the Boston Pops, the band lurched into an interminable version of “Waltzing Matilda,” apparently the show’s theme song. The bandleader, a surly cellist, refused to make eye contact with anyone and hissed at a young girl who tried to clap along. As the music sputtered to a flaccid conclusion, thick jets of foam were dumped on the audience from hidden ceiling ducts. As people wiped the stinging lather from their eyes, Mr. O’Brien jumped out from behind a curtain and cheerfully quipped, “Ha, ha, you’re all foamy!”

Unfazed by the lukewarm reaction to this ill-conceived prank, Mr. O’Brien launched into his monologue. Whipping out a large book, he read a string of childish “knock-knock” jokes. While the material was fair, Mr. O’Brien’s delivery was halting, and he paused several times to adjust his reading glasses.

The worst was yet to come. Strutting arrogantly to his desk, Mr. O’Brien tried to converse briefly with his sidekick, an elderly Irish priest. But the old man seemed confused, and despite constant goading from Mr. O’Brien, sat in stony silence.

Sensing a loss of momentum, Mr. O’Brien quickly launched into a “Top Ten” list, something he’d repeatedly told the press he would never do. The list was rife with misspellings, and three of the 10 entries read “joke to come.” Moments later, he tried playfully flipping a pencil at a camera, but missed and struck a woman in the eye. “At least it wasn’t me,” quipped the first guest, the former Mets outfielder Vince Coleman. O’Brien burst into laughter at this distasteful comment. “Now we’re cooking with gas,” said the cocky new voice of “Late Night.”

Mr. O’Brien’s guests that evening also included the deputy director of New York’s wastewater collection bureau, the editor of the NBC inter-office newsletter and a man who could eat oranges without getting any juice on his shirt (although he failed to do so on camera). Inexplicably, all the guests were introduced at the same time. Mr. O’Brien then asked each, in turn, his favorite color. To every answer, he snorted that the chosen color was “for girls.”

During a commercial break, several NBC executives entered the audience and asked for volunteers to hold up a gaudy “Nobody Beats Conan” banner, but the crowd jeered bitterly and one youth kicked the sign.

The last 20 minutes of the program consisted of Mr. O’Brien performing a strange, snake-like dance in front of his desk as audience members filed out in disgust. “You’ll be back!” he shouted several times, until the entire studio was empty (except for the orange-eater and Mr. Coleman, who giggled frenetically under the closing credits).

As much as this writer would like to root for Mr. O’Brien, one can’t help but have grave doubts about his prospects. Despite the considerable power of his raw sexuality and mesmerizing intellectual presence, this “Late Night” may very well end up the late “Late Night.” Or not, I gotta go.

Brilliant. And what an “episode” that was/must’ve been (stolen base aficionado Vince Coleman FTW!).

Potato
Late Night w/ The Roots (Mixtape)
Ain’t that the (triple) truth (Ruth!). And what a lovely LP cover. Courtesy of DJ Heat comes this very much-wanted compilation (hopefully the first of many) of every single Roots hip-hop collabo/live performance on Late Night to date!!!!! The all-supa-star track-listing (with all live instrumentation masterfully provided by The Legendary from the 2-1-5) includes the following live performances:
The Roots – How I Got Over (Live)
Ludacris – I Do It For Hip Hop / Last Of A Dying Breed (Live)
Mos Def – Casa Bey (Live)
Beastie Boys – So Whatcha Want (Live)
Black Star – History (Live)
Snoop Dogg – I Wanna Rock (Live)
Ghostface – Baby (Live) f. Raheem DeVauaghn
Wale – Pretty Girls (Live) f. Black Thought
Raekwon – Catalina (Live) f. Black Thought
50 Cent – Baby By Me / Do You Think About Me (Live)
Clipse – Popular Demand (Live) f. Black Thought
Clipse – Grindin’ (Live) f. Black Thought
Rick Ross - Magnificent (Live)
Q-Tip – Barely In Love (Live)
Goodie Mob – Soul Food (Live)
Public Enemy – Bring the Noise (Live) f. Black Thought
Blakroc - Dollaz & Sense / Tellin Me Things (Live) f. RZA
DL the entire incredible package at 2DOPEBOYZ to enjoy the greatest band on late night doing what they do best. Damn, Christmas 2K9 just keeps on giving! Can’t wait for the next live Roots compilation. Seriously, I really can’t; wish I had a time machine to peep what The Roots crew have in store for future live performance collabos.

Late Night w/ The Roots (Mixtape)

Ain’t that the (triple) truth (Ruth!). And what a lovely LP cover. Courtesy of DJ Heat comes this very much-wanted compilation (hopefully the first of many) of every single Roots hip-hop collabo/live performance on Late Night to date!!!!! The all-supa-star track-listing (with all live instrumentation masterfully provided by The Legendary from the 2-1-5) includes the following live performances:

  1. The RootsHow I Got Over (Live)
  2. LudacrisI Do It For Hip Hop / Last Of A Dying Breed (Live)
  3. Mos Def Casa Bey (Live)
  4. Beastie BoysSo Whatcha Want (Live)
  5. Black StarHistory (Live)
  6. Snoop DoggI Wanna Rock (Live)
  7. GhostfaceBaby (Live) f. Raheem DeVauaghn
  8. WalePretty Girls (Live) f. Black Thought
  9. RaekwonCatalina (Live) f. Black Thought
  10. 50 CentBaby By Me / Do You Think About Me (Live)
  11. Clipse – Popular Demand (Live) f. Black Thought
  12. ClipseGrindin’ (Live) f. Black Thought
  13. Rick Ross - Magnificent (Live)
  14. Q-TipBarely In Love (Live)
  15. Goodie MobSoul Food (Live)
  16. Public EnemyBring the Noise (Live) f. Black Thought
  17. Blakroc - Dollaz & Sense / Tellin Me Things (Live) f. RZA

DL the entire incredible package at 2DOPEBOYZ to enjoy the greatest band on late night doing what they do best. Damn, Christmas 2K9 just keeps on giving! Can’t wait for the next live Roots compilation. Seriously, I really can’t; wish I had a time machine to peep what The Roots crew have in store for future live performance collabos.

Potato
"Thank you: NBC for announcing that Jay Leno will be moving back to 11:30. It will be interesting to see how Jay and Conan do against Dave…and how we do against the perfect push up infomercial."
“Thank You Letters” via Late Night w/ Jimmy Fallon. Yes, NBC = National Broadcasting Clusterf*ck. But wait…some positive developments (or at least some resistance) are brewing.
Potato
"And I’m a legend in my own grind / look at y’all, just a legend in your own mind / I let the drum talk to me cause it won’t lie / a lot of rappers try to kill it but it won’t die / I keep ‘em coming back to fill it like a dough pie / to be the low guy / dress up and smoke to this / grand imperial, hall of fame material / Black General Riq-Kufriti / name, record, serial / my thang highly glam-able / I bang like a hammer do / swine flu, bird flu, every type of animal / I’m immune to Tamiflu / and I’ll be damned if you would say I’m bananas / who I bring is intangible / lyrical Jet Li, working on your requiem / step in the party, er’rybody scream that’s him / push a fast B-M, black great gatsby/ if this the last day and times, I’m the cashier /"

And in an effort to transcribe every new Black Thought guest verse on Late Night, here are Riq’s lyrics that were delivered during the live performance of Grindin’ by the Clipse (which wasn’t televised but you can watch it here and follow along if you like to see if I made any misinterpretations). This is perhaps my favourite group of bars (so far) that the lyrical beast from Philly has penned exclusively for the musical acts on Late Night. These rapid-fire bravado bars are straight killing sh!t on a massive scale. And with the Legendary Roots crew doing a flawless recreation of the classic Neptunes beat for Grindin’ (in particular, Knuckles on percussion and Kamaal re-creating the echoey tongue clacks via the keys), the entire live performance (starring Pusha T, Malice and The Roots) is incredibly bangin’ and raw to the bone. I can only hope that more classic hip hop joints are re-imagined on Late Night, complete with The Roots providing the soundscape and Thought dropping a brand new guest verse.

Speaking of which, when Raekwon was on the show a few weeks back, I couldn’t help but hope that he would perform a classic joint from the RZA-produced masterpiece that is Only Built 4 Cuban Linx… Could you imagine Incarcerated Scarfaces featuring Black Thought (with The Roots on the beat)? *hip-hop-gasm* Of course, Rae ended up performing Catalina from Cuban Linx Pt. II (which is a fine joint from a worthy LP sequel and the best hip hop album of 2009), complete with a guest verse from Black Thought (transcribed here by yours truly). But man, if you consider yourself a true head and you’re somehow not watching the musical magic occurring every late weeknight on NBC, then you’re straight missing out, money. And to my fellow lyric heads out there: in this strange world where the most talented group that hip hop has to offer gets an opportunity to shine every night on national TV while putting some amazing spins on existing compositions from every music genre, we are ALL the big winners here (so please enjoy AND appreciate it while it lasts). Again, with Conan masterfully handling The Tonight Show and The Roots laying their creative fingerprints all over Fallon’s show, we are in the midst of the best late night talk show landscape in history. Well, that is of course if this HORRIBLE rumour doesn’t come to fruition.

Potato
"Pull a win in a Bavarian whip (i.e. BMW) / big, dead brothers in there looking scary as this / I’m out the back / in a black trench, clearly I’m lit / look at the black Prince / holla, then back to back shots of absinthe / I’m kind of a big deal / I can feel ecstasy without popping a pill / I’m on top of the world / in my old fort, copping a feel / Godfather meets Apocalypse Now / It ain’t no stoppin’ us now / Just like McFadden Whitehead / People say them Philly boys havin’ it right here / And it’s no comparison, the difference is quite clear / Thus we white bread / brothers like America’s nightmare / I need my own show like Regis / to talk about the way these rappers is aegis / get that, money? / it’s blasphemy / is smart as a crash dummy / that’s funny / brothers is a battle that lasts to me /"

Black Thought, from the live version of Popular Demand by the Clipse. If there’s one thing that I’m thankful for about Fallon’s Late Night gig (and it’s definitely not Jimbo), it’s that the show format is giving all us hip hop heads the massive treat of multiple Roots collabos, of which Black Thought’s live guest verses (which will not be found on any album or single…or painstakingly and lovingly transcribed anywhere on the net but here!) are the definite highlight.

I’m having such a great time breaking down (or at least trying to break down to the best of my hearing abilities) Thought’s verses, which I’m convinced he writes maybe a day or 2 before the musical guest appears on the show as the lines are fresh and new (I pride myself on having every single BT verse memorized in my brain, for the most part) and most importantly, are relevant to the track. In addition, let’s not forget that aside from this nightly gig, The Roots are still doing live shows in their non-existent spare time.

So considering all of that, Thought continues to amazingly out-shine each of the great MC’s that have let him join them on their own track. And no doubt, Pusha T and Malice are both excellent MCs; Pusha in particular is hilariously animated live, as I witnessed myself 2.5 years ago (and Malice delivered the most impacting high-five I’ve ever felt…that was cool). And this further proves the theory of why Black Thought is rarely featured on other artists’ albums: The Bad Lieutenant will kill you on your own sh!t (nothing personal, just business). Despite that, MCs out there, you better (not) stand clear; I dare you to feature Riq Gees on your LP. It can only increase the quality of the recording ten-fold (and hell, I might even cop).

Potato

Clipse featuring Black Thought - Popular Demand (Popeyes) (Live on Late Night with Jimmy Fallon), backed by The Roots (who perfectly recreate the Neptunes beat).

Enjoy this viddy while I go ahead and attempt to transcribe Tariq’s one-time only Popular Demand verse (he killed it, BTW).

Potato

Grey Daze Theme by Polaraul

J_Digi's Profile Page
Powered by Dailymotion