Press X, oh God, press X!

Press X, oh God, press X!

Wait...

Wait...

for...

for...

IT!

IT!

God of War III demo pics. The precursor to a major reason why the PS3 was invented. And also the main reason why I will finally get a Slim(kid)3 to call my own, hopefully by Christmastime.

If you have a PS3 already, then you can access this epic demo in one of the following ways:

  • Pre-order God of War III (Regular or Ultimate edition)
  • Purchase District 9 on Blu-ray (the demo is included within)
  • Cop the God of War Collection —-> This shall be my ticket

Images courtesy of the fine geeks over at NeoGaf—-> 56K warning…just kidding! (but on the real, if you’re still using a 56K modem, then you’re most likely not reading this since you probably don’t even know that Tumblr exists, let alone my little online culture nook…no offense)

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[Flash 9 is required to listen to audio.] Spun 31 times

Pharrell - Like I Love You (Demo Version) (feat. Clipse)

As I take my time to prepare the penultimate Neptunes selection on the list (actually, I haven’t even started writing the #2 entry, so I’m really just buying myself more time here), feel free to listen to another joint that, along with the Sade remix, just missed the countdown cut. T’is a single that everyone and their Mom, dog and bowl of fish know quite well. In particular, what I have uploaded is the original incarnation (“It’s a demo!” - Kool G Rap) of what would ultimately become the very successful lead single from Timberpond’s 2002 solo debut Justified. There are 2 main reasons why this is a notable mention (other than the fact that I’ve always loved the acoustic-laden beat).

  1. For better or for worse (and for the record, I’ve never been a fan), this is the song that technically launched Justin’s solo career (if you remember, this was the first single from Justified and it blew the F*CK up!). Side note: the next single, also a Neptunes banger, was Rock Your Body, a beat which I tend to enjoy as well. So historically, the ‘Tunes (who handled 7 of the 13 joints on Justified) had a large hand in helping to create arguably the most popular pop music megastar of the current generation (hey, I’ll give credit where credit is due…even if I do despise the guy).
  2. I’ve heard/read that this beat (as well as a few other Neptunes beats from Justified) were initially offered to the late (still can’t believe it), supremely great Michael Jackson for his 2001 Invincible LP. Well, for one ill-advised reason or another, The King passed on everything that Pharrell and Chad had to offer. Invincible was then released and was considered a sub-par if not slightly underrated MJ album (but not something worthy of being The King’s final album, which it has now become). As for the unused beats, they were re-gifted and given to N’Sync member #1. And the rest is history. Oh Mike, why didn’t you ever work with The Neptunes? I feel that you guys would’ve made some sick music together. But now we’ll never know.

Anyways, this beat was so good that it probably did make lots of beatsmiths jealous (or “hurt so many people’s feelings” as P so confidently stated at the end of the demo), due to its broad commercial appeal and simultaneous ill-tastic quality (this elusive combo is The Neptunes M.O.). As you listen to the demo, the song is pretty much finished. Only P’s vocals were later re-done by Timberflake, and also the beat breakdown which showed up on the final version isn’t there yet. And it should also be said that, within the very short mic time that they were given, Pusha T and Malice drop some swift and efficient bars. To date, this is the only time that the Clipse have appeared in a song that made it into the TOP 40 countdown.

Whoa, I didn’t mean to write a semi-review, but it looks like I had quite a bit to say about a track that didn’t even make it onto my Planet Neptunes countdown, didn’t I? I feel it was justified, though ;) Happy Canada Day!

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First an unreleased Native Tongues demo version of Tribe’s Scenario hit the net a few days ago. And now this. I totally agree with the cats at UniverSoul (peep that link for the tracklisting and DL link) that we are the most privileged of music fans that have ever existed. We are truly living in a music renaissance where recordings from EVERY SINGLE ERA are making themselves available, right at our finger tips (released and unreleased). Commence DLing…
Edit: Upon further review, I had a handful of these tracks already (like 4)…but never the whole damn thing. In particular, Preem’s version of Machine Gun Funk got my head nodding like crazy (a pure hip hop head moment where your neck uncontrollaby bends outta shape, y’allknowhutimtalkinbout). But onto my first impressions of the O.G. version of Ready To Die…You know, the best part about good music is when you feel like you’ve walked into a time machine while listening to it. This right here is BETTER than the commercially released version of Ready To Die that everyone and their mom owned (think back and there was at least 5 cats you could borrow that joint from back in the day). But yeah, I said it. Why? First off, it’s the original conceived vision of Ready To Die, unhindered by the politics of sample clearances and lyrical revisions.
But even if you didn’t know that, just listening to this O.G. Version, it’s just so damn raw compared to Big’s first album (which was kind of raw to begin with, especially when compared to Life After Death). But really, it’s like one long, unpolished demo from the early 90s from one of hip hop’s biggest names (pun intended). And everything’s there the way it was supposed to be. Plus the bonus track demos round it out perfectly, especially the short demo of Who Shot Ya? (which I didn’t think could get any more grimey than the original). I mean, this gem is amazing to hear it in its entirety. Really, what have we all done to deserve something so special? Y’all know what to do, if you haven’t already: snatch that with the quickness.

First an unreleased Native Tongues demo version of Tribe’s Scenario hit the net a few days ago. And now this. I totally agree with the cats at UniverSoul (peep that link for the tracklisting and DL link) that we are the most privileged of music fans that have ever existed. We are truly living in a music renaissance where recordings from EVERY SINGLE ERA are making themselves available, right at our finger tips (released and unreleased). Commence DLing…

Edit: Upon further review, I had a handful of these tracks already (like 4)…but never the whole damn thing. In particular, Preem’s version of Machine Gun Funk got my head nodding like crazy (a pure hip hop head moment where your neck uncontrollaby bends outta shape, y’allknowhutimtalkinbout). But onto my first impressions of the O.G. version of Ready To Die…

You know, the best part about good music is when you feel like you’ve walked into a time machine while listening to it. This right here is BETTER than the commercially released version of Ready To Die that everyone and their mom owned (think back and there was at least 5 cats you could borrow that joint from back in the day). But yeah, I said it. Why? First off, it’s the original conceived vision of Ready To Die, unhindered by the politics of sample clearances and lyrical revisions.

But even if you didn’t know that, just listening to this O.G. Version, it’s just so damn raw compared to Big’s first album (which was kind of raw to begin with, especially when compared to Life After Death). But really, it’s like one long, unpolished demo from the early 90s from one of hip hop’s biggest names (pun intended). And everything’s there the way it was supposed to be. Plus the bonus track demos round it out perfectly, especially the short demo of Who Shot Ya? (which I didn’t think could get any more grimey than the original). I mean, this gem is amazing to hear it in its entirety. Really, what have we all done to deserve something so special? Y’all know what to do, if you haven’t already: snatch that with the quickness.

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[Flash 9 is required to listen to audio.] Spun 55 times

Pharrell - Heartbeat (Demo) (feat. Nicole Scherzinger)

What you’re hearing is the demo version of HeartBeat that Pharrell sent to Madonna so she would know how to sing the track. Nice. HeartBeat was my fave part of Hard Candy. And this rough demo is further proof of the genius of Pharrell Williams, showing just how much a producer of his caliber creates and contributes to the final product (which is pretty much EVERYTHING except for the final vocals, which he arranges and directs from the sound booth…with an iron fist). See also: Pharrell’s demo for Timberlake’s Like I Love You. Clearly, these pop stars ain’t sh!t without the producer.

Props to Che Sing The Cool for the hookup.

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