Carddeck_P's Def Jam RAPSTAR Top World Rankings (as of December 8, 2011)
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"Astonishment is our natural state of mind." - Paul Harris.

"Style is what an artist uses to fascinate the beholder in order to convey to him his feelings and emotions and thoughts." - Stanley Kubrick.

"Always be yourself, express yourself, have faith in yourself, do not go out and look for a successful personality and duplicate it." - Bruce Lee.

"If ya ears hurt, you shouldn't listen. That means you artificial and my style'll poison ya brain tissue." - Black Thought

"I also believed that comics were capable of more than just making people laugh. So in my themes I incorporated tears, grief, anger, and hate, and I created stories where the ending was not always happy." - Osamu Tezuka

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lightningcollective:

THE ROOTS | The Other Side (feat Bilal & P.O.R.N.)

The Roots, also known as The Legendary Roots Crew, The Square Roots and The Foundation, are an influential, Grammy winning hip hop group based out of Philadelphia, Pennsylvania, famed for a heavily jazzy sound and live instrumentation. Inspired by the “hip-hop band” concept pioneered by Stetsasonic, the Roots themselves have garnered critical acclaim and influenced later hip-hop and R&B acts. 

While everyone is shitting their pants about The Black Keys - El Camino, I’ve been eye’ing up on my home city band/hip hop group from Philly, The Roots. Their recent album, ‘How I Got Over’ was a good one and for sure it was some good vibes almost anytime of the day. The first time I listened to that album was traveling on the “el” on the Red Line to downtown Chicago and when I heard this was coming out, my ears were wide open curious to know/hear what they had going on this time around. I’m going to say one word…
damn. This is one more fabulous album adding on to their flawless discography. 

Though the group had multiple members going in and out, this group doesn’t disappoint. I chose this song due to the fact of how raw of the hip-hop/soul vibes are clashed together. Dynamic drums, deep vocals, organ synths/pianos, and moving chorus drops all create a ‘feel good’ sound. If you aren’t into The Roots, this sound, or whatever it is, they’re a group to get into if you want to expand your mind a little. To end this off a bit, what threw me off a little bit was in the end of the album there was movements (Possibility, Will To Power, and Finality). It’s literally them playing instrumentals that are really nice to hear, fucking around banging on shit, or well, both. Regardless this album has some unique features on it.

The Roots, stay relevant and keep it real. Love your shit.

The Roots - Kool On (feat P.O.R.N. & Truck North) [LC recommends]

4 full front-to-back listens deep in yet another excellent studio recording (and one hell of a reverse narrative concept) from the most consistent band in music and my favourite group/musicians of all-time. And this beautiful joint is an early contender for the best track from undun. From Tariq’s unmatched storytelling abilities on the first 2 verses to P.O.R.N nicely holding his own on the third verse to Bilal’s pitch perfect handling of the dramatic hook, this track (featuring ?uesto’s laced-out drums and Poyser’s heavenly keys) just gets everything right on and IMO is one of the best compositions The Roots have ever created (coming from a loyal admirer of 2-1-5’s finest for 16 years and counting). Copping the CD on the 6th of December to show support for the hardest working band in hip-hop.

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The long-awaited Part 4 of David Blaine Street Magic has arrived! Part 2 is still my favourite, but this is certainly a worthy entry into the hilarious parody series. It’s all about the stare. “WHAT THE EFF?”

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Night #25:

Director James Wan and screenwriter Leigh Whannell, the guys behind Saw, fooled me into thinking their latest horror suspense enterprise Insidious was going to be something special. The first third, maybe even the first half, is quite solid, the filmmakers presenting a suspenseful and scary haunted house thriller that had me legitimately intrigued and extremely interested to discover where it was going to go. While not all that far removed from Robert Wise’s The Haunting, Stanley Kubrick’s The Shining or Oren Peli’s (who just so happens to be a producer here) Paranormal Activity that doesn’t make what’s going on any less entrancing or sinister, and for a while I was positive Wan and Whannell were finally going to live up to all their much ballyhooed potential.
But at a certain point the bottom falls out of this production, the filmmakers letting things get increasingly silly and ludicrous unleashing a final climactic flourish of lunacy and tedium that had me scratching my head as to what exactly just happened.
…
The odd thing here is whether or not Wan and Whannell intend for the film to go completely off the deep end into straight silliness or whether they actually believe the second half twists and turns into the absurd increase the tensions deliciously crafted during the early portions. If it is the former, then it boggles my mind that they would purposely undermine both themselves and their picture in this fashion. If it is the latter, then I’m flabbergasted that they didn’t notice how wrong a direction they were starting to take things in. Either way, Insidious comes apart at the seams in a way that is both fascinating and annoying, a potentially great movie becoming nothing less than a minor disaster right before my very eyes.
But boy do I love that first half or so. From sound design to editing, cinematography to music, everything works together stupendously. The preview audience I saw it with was shrieking in delightful terror, and even the obviously John Carpenter inspired jump scares managed to jolt me upright and send shivers down my spine even though the majority of the time I saw them coming from a mile away. There’s some delicious stuff going on, and it goes without saying that by the time Dalton fell into his coma I was sitting at the edge of my seat, making the ridiculous monotony of what was to come all the more disheartening.
…
If only the movie didn’t devolve so far into camp with such thunderously deliberate speed. From gothic dolls to a clownish old crone to a James Dean wannabe with bad teeth and a lizard-like tongue, many of the images that end up getting presented are beyond comical. The whole final sequence is a comedy of errors devoid of tension, leading up to a climactic kicker that’s as forgone as it is preposterous. Someday Wan and Whannell might make a horror film I can get excited about, but until then Insidious is just another baleful reminder of wasted opportunities and potential unfulfilled.

(The Film Palace)

Night #25:

Director James Wan and screenwriter Leigh Whannell, the guys behind Saw, fooled me into thinking their latest horror suspense enterprise Insidious was going to be something special. The first third, maybe even the first half, is quite solid, the filmmakers presenting a suspenseful and scary haunted house thriller that had me legitimately intrigued and extremely interested to discover where it was going to go. While not all that far removed from Robert Wise’s The Haunting, Stanley Kubrick’s The Shining or Oren Peli’s (who just so happens to be a producer here) Paranormal Activity that doesn’t make what’s going on any less entrancing or sinister, and for a while I was positive Wan and Whannell were finally going to live up to all their much ballyhooed potential.

But at a certain point the bottom falls out of this production, the filmmakers letting things get increasingly silly and ludicrous unleashing a final climactic flourish of lunacy and tedium that had me scratching my head as to what exactly just happened.

The odd thing here is whether or not Wan and Whannell intend for the film to go completely off the deep end into straight silliness or whether they actually believe the second half twists and turns into the absurd increase the tensions deliciously crafted during the early portions. If it is the former, then it boggles my mind that they would purposely undermine both themselves and their picture in this fashion. If it is the latter, then I’m flabbergasted that they didn’t notice how wrong a direction they were starting to take things in. Either way, Insidious comes apart at the seams in a way that is both fascinating and annoying, a potentially great movie becoming nothing less than a minor disaster right before my very eyes.

But boy do I love that first half or so. From sound design to editing, cinematography to music, everything works together stupendously. The preview audience I saw it with was shrieking in delightful terror, and even the obviously John Carpenter inspired jump scares managed to jolt me upright and send shivers down my spine even though the majority of the time I saw them coming from a mile away. There’s some delicious stuff going on, and it goes without saying that by the time Dalton fell into his coma I was sitting at the edge of my seat, making the ridiculous monotony of what was to come all the more disheartening.

If only the movie didn’t devolve so far into camp with such thunderously deliberate speed. From gothic dolls to a clownish old crone to a James Dean wannabe with bad teeth and a lizard-like tongue, many of the images that end up getting presented are beyond comical. The whole final sequence is a comedy of errors devoid of tension, leading up to a climactic kicker that’s as forgone as it is preposterous. Someday Wan and Whannell might make a horror film I can get excited about, but until then Insidious is just another baleful reminder of wasted opportunities and potential unfulfilled.

(The Film Palace)

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The Roots - Make My (feat. Big K.R.I.T.)

From Nah Right:

undun is an existential re-telling of the short life of one Redford Stephens (1974-1999). Through the use of emotives and Redford’s internal dialogues the album seeks to illustrate the intersection of free will and prescribed destiny as it plays out ‘on the corner’. Utilizing a reverse narrative arc, the album begins as the listener finds Redford disoriented–postmortem–and attempting to make sense of his former life. As he moves through its pivotal moments he begins to deconstruct all that has led to his (and our own) coming undun.

“At this point in our career we’d like for our work to have a unifying theme, and an experiential quality,” says Ahmir “?uestlove” Thompson, 40. “We’ve been intentionally making our albums shorter in length so that they can be experienced as a continuous work. The music is band-oriented with an eye on the moody cinematic. As a DJ, I am the King of playlists, but I don’t want our albums to feel like a playlist or a mixtape for that matter. We want to tell stories that work within the album format and we want the stories to be nuanced and useful to people. undun is the story of this kid who becomes criminal, but he wasn’t born criminal. He’s not the nouveau exotic primitive bug-eyed gunrunner like Tupac’s character Bishop in “Juice”… he’s actually thoughtful and is neither victim nor hero. Just some kid who begins to order his world in a way that makes the most sense to him at a given moment… At the end of the day… isn’t that what we all do?”

Can’t believe that The Legendary are already putting out a brand new LP (and a concept album at that). I’m all for shorter (read: 40 min) studio recordings if it means more frequent releases from the hardest working band in hip hop music. Plus, you gotta love that extended breakdown at the end.

Official tracklist:

  1. Sleep
  2. Make My feat. Big K.R.I.T.
  3. One Time
  4. Kool On
  5. The Jump
  6. Stomp
  7. Lighthouse
  8. I Remember
  9. Tip The Scale
  10. Redford

undun hits your favourite music retail outlet on December 6th (instant coppage on day one). Should be the perfect way to end what has turned out to be a fine year for hip hop.

(Source: okayplayer.com)

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31 Days of Night III: The Threequel/Thrillogy of T3rror

Today is officially October the cursed 1st aka the GOREious beginning of SHOCKtober! PUNderful, isn’t it?

To all you wonderful folk who have been following my Tumblr ramblings since October 2009 and prior to, there is a reasonable chance that you are already familiar with the enjoyably methodical film ritual by which I use to celebrate IMO the greatest month on the calender as well as countdown to the legendary holiday that arrives at its conclusion. Alternatively, to anyone who kindly clicked the follow button on my modest site after October 2010, here’s some HIStory for you to bone up on (if you are so geekily inclined):

October 2009: 31 Days of Night I

October 2010: 31 Days of Night II

At the conclusion of last year’s nightly viewings, I honestly felt that I couldn’t do this for a third time. Mainly because it’s a bit of a challenge (but an oh so enjoyable one) to track down copies of enough interesting horror films unique to previous years (as well as titles that I actually want to watch/re-watch). Not to mention, sitting down with a different flick for 31 straight nights takes a bit of discipline and time management (yeah, no shit. But again, it’s fun!). Thankfully, the movie macabre gears in my mind began turning instinctively at the onset of the Fall equinox as I started feverishly brainstorming potential candidates for this year’s horrorthon line-up. And as a result, here I am (while there you are).

Yes, that’s 31 full-length horror films in 31 October nights by way of peeping strictly 1 film every single evening from now until All Hallow’s Eve (no head starts, no doubling up, no skipping nights, no quitting, noooooooo!). Indeed, “Shocktober” is the perfect excuse to finally peep some films on my endless to-watch list, re-peep some classic personal favourites (provided that they haven’t been included in Parts I and II, with very few exceptions), as well as forgo nearly all substantial physical activity so that I can lazily sit on my ass and watch a multitude of fictional characters succumb to some horrifically fantastic demises. AWWW YYYEAH!

So feel free to follow along with my nightly postings and/or better yet, take a few moments/evenings to peep a horror film or 2 (or a baker’s dozen) for yourself this month and ha-ha-have fuuuuuun! Wish me luck and happy spewings to you all.

Love that grin, MJ.

^^^ME throughout every evening of Da Ock. Pass the what? Pass the popcorn! Because my third annual 31 Days of Night horrorthon is primed and ready for thorough consumption. Bloody good times to come!

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Lagunitas (say “lah-goo-knee-tuss”) is American craft beer at its very finest (as well as funniest). And here’s the rundown/result of the two epic (for me) beer runs I made while in Massachusetts last week:
Three 6-packs (12oz) of Maximus IPA (I’ve had one bottle so far)
One 6-pack of Pale New Dogtown
One 6-pack of Censored Rich Copper Ale
Three bombers (22oz) of IPA (just finished one off last night)
Three bombers of Hop Stoopid
Two bombers of Little Sumpin’ Wild
Two bombers of Wilco Tango Foxtrot
Five bombers of Lucky 13: three of the alternate anniversary release (had one) and two of the original (the first Lagunitas brew I ever had)
Three 40oz of Private Stock malt liquor (not manufactured by Lagunitas Brewhouse) for good measure
Declared all of the above at the border and was not charged any duties. Had to import them myself since none of these fantastic hoppy brews are available for purchase in Canadian liquor stores (as far as I know), which is a DAMN shame. As a result, I plan on carefully rationing out this valuable supply of mine so that it hopefully lasts me the next few months (all while savouring every single drop). But with the exception of this weekend: I’ll be attending a cottage party on Saturday and will certainly pack some choice selections to thoroughly enjoy while there. Bottoms up to quality brew!

Lagunitas (say “lah-goo-knee-tuss”) is American craft beer at its very finest (as well as funniest). And here’s the rundown/result of the two epic (for me) beer runs I made while in Massachusetts last week:

  • Three 6-packs (12oz) of Maximus IPA (I’ve had one bottle so far)
  • One 6-pack of Pale New Dogtown
  • One 6-pack of Censored Rich Copper Ale
  • Three bombers (22oz) of IPA (just finished one off last night)
  • Three bombers of Hop Stoopid
  • Two bombers of Little Sumpin’ Wild
  • Two bombers of Wilco Tango Foxtrot
  • Five bombers of Lucky 13: three of the alternate anniversary release (had one) and two of the original (the first Lagunitas brew I ever had)
  • Three 40oz of Private Stock malt liquor (not manufactured by Lagunitas Brewhouse) for good measure

Declared all of the above at the border and was not charged any duties. Had to import them myself since none of these fantastic hoppy brews are available for purchase in Canadian liquor stores (as far as I know), which is a DAMN shame. As a result, I plan on carefully rationing out this valuable supply of mine so that it hopefully lasts me the next few months (all while savouring every single drop). But with the exception of this weekend: I’ll be attending a cottage party on Saturday and will certainly pack some choice selections to thoroughly enjoy while there. Bottoms up to quality brew!

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Roberto Alomar, Bert Blyleven, Pat Gillick enter the Hall of Fame | MLB.com: News

A legendary day, it certainly was. I made the trek to Cooperstown with my family to be there in person to witness Roberto Alomar (my all-time favourite MLB player) get inducted into the most elite club in all of sports. This article sums up the event far better than I ever could. Although I will say that the Canadian contingent in the crowd was understandably very strong and vocal (considering that Alomar is the first player to get inducted into the Hall as a Blue Jay). This was certainly the greatest moment Jays fans have shared since those back-to-back championship years of 1992 and 1993 (and in his acceptance speech, Robbie let us all know just how much Blue Jays fans and those special years meant to him).

Congrats also to Pat Gillick (GM for the Jays during those aforesaid championship years) and Bert Blyleven (who made it in on his 14th year on the ballot). Also amazing was getting to see that many legendary players assembled on stage together, many of whom also took part in the Parade of Legends on Saturday evening (I was also present for that and snapped some awesome pix). TOP 10 Hall of Famers in attendance off the top of my head: Dave Winfield, George Brett, Robin Yount, Rickey Henderson, Dennis Eckersley, Joe Morgan, Johnny Bench, Wade Boggs (edit: Boggs said hi to my nephew during the parade!), Yogi Berra and Sandy Koufax. WHOA. It was like my baseball card collection come to life.

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“Wrong…WRONG!” (c) Charlie Murphy
Been waiting to post anything substantial involving Yao Ming’s hilarious Fuck That meme and this was definitely it. T’is a shame that we won’t get to see Kobean fall to LeBron in the finals, but you can’t have everything. Besides, this year’s NBA playoffs has been full of great games and pleasant surprises.
Deuces punk Fakers. Hail to the heel HEAT!

“Wrong…WRONG!” (c) Charlie Murphy

Been waiting to post anything substantial involving Yao Ming’s hilarious Fuck That meme and this was definitely it. T’is a shame that we won’t get to see Kobean fall to LeBron in the finals, but you can’t have everything. Besides, this year’s NBA playoffs has been full of great games and pleasant surprises.

Deuces punk Fakers. Hail to the heel HEAT!

(Source: totalprosports.com)

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Beastie Boys - Long Burn The Fire (Hot Sauce Committee Part Two, 2011)

Ill-tastic track from a guaranteed summer album by Adrock, Mike D and MCA. This particular dark joint reminds me of the menacing vibe they had on Check Your Head (my favourite Beasties LP along with Paul’s Boutique). Also, my CD and T-shirt package finally shipped (today was the North American release date) and the retail (dirty) version of the album understandably leaked a few days ago. Long burn the (upcoming summer) fire!

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Pre-ordered the CD + T-Shirt Package

Hot Sauce Committee Part Two by Beastie Boys

(Source: hotsaucecommittee.com)

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DJ Quik - Across The Map (Feat. Bizzy Bone & Bun B)

David Blake, better known as the legendary DJ Quik, proving once again why he is the best producer to EVER come out of the west coast. Not to mention a TOP 3 all-time greatest producer on the mic, along with the late, great J Dilla (who always knew how to expertly ride his own creations) and the RZA (an acquired taste for many, but you need only peep the Abbott’s verse on GZA’s 4th Chamber to become a believer). On this particular party joint, Quik is joined by the ill & chill Bun B (who has been dropping some smooth guest verses over the past few years) and a returning Bizzy Bone (who can still spaz out on the mic like only the RIP$ta can).

On the topic of DJ Quik: the man has been consistently creating dope beats AND dope rhymes for 20 years now, resulting in an impressive catalog with nary a weak LP amongst the bunch (and no lazy 10-year hiatuses either). Hopefully the swirling rumours that this is Quik’s final album aren’t even remotely true. But the man has certainly earned it, no doubt (yet STILL remains underrated). In any event, The Book Of David officially drops tomorrow. And I, for one, plan on expressing my thanks to Da Quiksta for a great career by copping this ill-tastic recording. While perhaps having a cup of milk with chocolate Nestle Quik for old times sake (haven’t had that sweet stuff since the late 80s, back when it was still packaged inside of a cool tin).

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Angry Boys teaser trailer

It feels like it’s been an eternity since Summer Heights High originally aired. And I’m not even talking about the original Australian airing in 2007 but rather the HBO re-airing in 2008 (which gave us North American viewers a chance to appreciate this highly acclaimed series). If you’re not aware of the absolute genius that is Chris Lilley (the “Aussie Chameleon” would be a fitting moniker), then head straight to your favourite streaming or torrent site to track down eps of We Can Be Heroes and Summer Heights High; both of these perfectly constructed mini-series mockumentaries will completely speak for themselves (and if you fail to see the overwhelming unique satirical humour, then it’s a good thing we don’t really know eachother).

Angry Boys (which, from what I gather, is a prequel to We Can Be Heroes) is scheduled to be broadcast on HBO sometime this year. But considering the fact that HBO is re-airing Summer Heights High right now, perhaps it will debut sooner than later? (yes, please) The above teaser has only increased my already high expectations. And Lilley as an Asian mom = comedy platinum! This is going to be SO F*CKING AWESOME! D’yaimean?

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Japan’s Strict Building Codes Saved Lives - NYTimes.com

These precautions, along with earthquake and tsunami drills that are routine for every Japanese citizen, show why Japan is the best-prepared country in the world for the twin disasters of earthquake and tsunami — practices that undoubtedly saved lives, though the final death toll is unknown.

If this monumental disaster (with an earthquake nearly equal to the force of 25,000 nuclear bombs!) had struck any other nation in the world, the dearly departed would no doubt total in the tens of thousands, if not more. A significant bright side to this otherwise devastating tragedy. My hats off to the architects and engineers of Japan. However, the possible nuclear meltdown (involving FIVE nuclear reactors) is an entirely different (and unbelievable) serious matter. Hoping for the best.

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