a slightly less (or more) dick way of saying “no fucking way.”
“Hey man wanna come over later and catch Dancing With the Stars?”
“Maybe later.”
“You fuckin’ dick.”
I am guilty of this.
Unfortunately, I missed this explosive, sh!t-kicking horror delight in the theatres. If I remember correctly, Crapformers 2 pushed DMTH out prematurely after a measly 3 week run (at least in my geographical area). However through the magic of home theatre releases, us fans who were left out in the cold get a second chance to experience this very loose sequel to Army of Darkness (and any step in the direction towards Evil Dead 4 is certainly the right move).
“Evil Dead” era Sam Raimi is God (DMTH has been considered a long-awaited return to form for the director) and I’ve been in love with Alison Lohman for years now (I guess she never received the wedding ring that I couriered her), so copping this BD is a no-brainer. In stores today and on my movie shelf tomorrow with a guaranteed spot in my on-going 31 Days of Night horror-thon.
Drag Me To Hell Blu-ray Review
October > > > your favourite month that isn’t October
The Evil Dead Trilogy > > > > > > > > > > > > > > > > > The Spider-Man Trilogy
1 noteWale - Inhibitions (Let It Loose) [feat. Pharrell]
Neptunian production in full muthaphukin eff-izz-ect! From the forthcoming Wale LP Attention Deficit.
I’m not really feeling any of the so-called hipster rappers of the current generation. But Wale so far seems to be the exception to the rule (especially when he’s on his hip hop sh!t). The kid can actually rhyme well and he puts some style into it. That and he f*cks with The Roots, The Neptunes and 9th Wonder. Much respek. Am looking forward to the album.
Edit: Upon numerous listens, I am really digging this track. Wale is charming as usual and sounds fantastic while effortlessly flowing over a Neps beat. As for the beat: the electronic noises and synths are all there, but the chill tempo and grimey, rumbling bass sounds more like a dirty HHNF-era Clipse beat which is a great thing; hungry and totally ill with a futuristic edge to it. As a bonus, Pharrell actually sings pretty good here (surprisingly) in his trademark falsetto voice and the hook is equal parts catchy, stylish and hilarious (with the chuckling and the double entendres and what not). I admit I was rather excited when I heard awhile back that Wale was working with The Neptunes on a joint on his new LP. And the hype has certainly been met with this track. I love it. So press play and let it loose!
Fellini called it an “apocalyptic poem.” He wasn’t so wrong, although whether we’re actually seeing the end of the world remains ambiguous, and that ambiguity is the chief source of the film’s terror.
Hitchcock introduces all sorts of reasons why the birds may be attacking…only to allow us to discard each one. What we’re seeing is nothing less than the full-blown chaos of nature. And the only adequate response is the open-mouthed shock that we see on Jessica Tandy’s face when she encounters a neighbor whose eyes have been pecked out.
“The Birds” infects your dreams because, unlike other horror films, it offers no catharsis and no resolution.
"Astonishment is our natural state of mind." - Paul Harris.
"Style is what an artist uses to fascinate the beholder in order to convey to him his feelings and emotions and thoughts." - Stanley Kubrick.
"Always be yourself, express yourself, have faith in yourself, do not go out and look for a successful personality and duplicate it." - Bruce Lee.
"If ya ears hurt, you shouldn't listen. That means you artificial and my style'll poison ya brain tissue." - Black Thought
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